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EURODESK PRO RX1202FX

Premium ultra-low noise, high headroom analog 3U rack mount mixer 8 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 2-band EQs for warm and musical sound Studio-grade FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects Switchable +48 V phantom power for condenser microphones 4 additional balanced high-headroom line inputs CD/Tape inputs assignable to Main mix or Control

EURODESK SX2442FX

Premium ultra-low noise, high-headroom analog mixer 16 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound 2 independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects High-precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes Revoluti

EURODESK SX3242FX

Premium ultra-low noise, high-headroom analog mixer 24 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound 2 independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects High-precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes Revoluti

EURODESK SX3282

Ultra-low noise, high-headroom analog mixer for studio, live, front-of-house, monitor, corporate and touring audio applications 24 state-of-the-art XENYX Mic Preamps with switchable +48 V phantom power plus 4 stereo Line inputs Neo-classic "British" 4-band EQ (stereo channels) and 3-band EQ with semi-parametric mid band (mono channels) for warm and musical sound 8 subgroups with independent Pan controls, Solo and Main functions and insert connections Clip and -20 dB LEDs plus Low Cut, Mute

EURODESK SX4882

Ultra-low noise, high-headroom analog mixer for studio, live, front-of-house, monitor, corporate and touring audio applications True in-line concept with 24 independent Mix-B input channels, all with individual 2-band EQ, Level, Pan and Mute 24 state-of-the-art XENYX Mic Preamps with switchable +48 V phantom power Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 8 subgroups with independent Solo and routing functions simultaneously feed 16 multi-

XENYX XL1600

Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 12 state-of-the-art XENYX PRO Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexibl

XENYX XL2400

Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 20 state-of-the-art XENYX PRO Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexibl

XENYX XL3200

Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 28 state-of-the-art XENYX PRO Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexibl

MICROMIX MX400

Ultra-compact 4-channel line mixer Highest sonic quality even at maximum output level Input Level control for each channel Power adapter included High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

XENYX 302USB

Ultra-compact and ultra-low noise analog mixer with USB/Audio interface Powered through USB or external power adaptor (included) Built-in stereo USB/Audio interface to connect directly to your computer Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps Neo-classic "British" 2-band graphic EQ for warm and musical soun

XENYX 502

Premium ultra-low noise, high headroom analog mixer State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps Neo-classic "British" 2-band EQ for warm and musical sound Main mix, stereo CD/tape plus separate headphone outputs CD/tape inputs assignable to headphone output or main mix outputs High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

XENYX 802

Premium ultra-low noise, high headroom analog mixer 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs for warm and musical sound 1 post fader FX send per channel for external FX devices 1 stereo aux return for FX applications or as separate stereo input Main mix outputs plus separate control room, phones and stereo CD/tape outputs CD/tape inputs assignable to main mix or control room/phones outputs High-quality components an

XENYX 1002

Premium, ultra-low noise, high headroom analog mixer 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs for warm and musical sound 1 post fader FX send per channel for external FX devices Main mix outputs plus separate control room, phones and stereo CD/tape outputs CD/tape inputs assignable to main mix or control room/phones outputs FX to control room function helps to monitor effect signal via headphones and control room out

XENYX 1202

Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs for warm and musical sound 1 post fader FX send per channel for external FX devices Main mix outputs plus separate control room, phones and stereo CD/tape outputs CD/tape inputs assignable to main mix or control room/phones outputs FX to control room function helps to monitor effect signal via headphones and control room outp

XENYX 1002B

Premium ultra-low noise analog mixer with optional battery operation 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic ''British'' 3-band EQs for warm and musical sound Optional battery operation (with 9 V alkaline batteries) allows for mobile operation 4 balanced, high-headroom stereo inputs with 3 additional mic inputs One FX send and one Monitor send per channel for external FX devices and monitor applications Clip LEDs on all channels and ded

XENYX 1002FX

Premium ultra-low noise, high headroom analog mixer 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs for warm and musical sound Studio-grade stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects FX send control per channel for internal FX processor and/or as external send Main mix outputs plus separate control room, phones and stereo CD/tape outputs CD/

XENYX 1202FX

Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps Neo-classic "British" 3-band EQs for warm and musical sound Studio-grade stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects FX send control per channel for internal FX processor and/or as external send Main mix outputs plus separate control room, phones and stereo CD/tape outputs CD/

XENYX 1204USB

Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art XENYX, phantom-powered Mic Preamps comparable to stand-alone boutique preamps 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs for warm and musical sound Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect

XENYX X1204USB

Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs for warm and musical sound New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable us

XENYX X1222USB

XENYX X1622USB

Premium ultra-low noise, high headroom analog mixer 4 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 4 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects

XENYX X1832USB

Premium ultra-low noise, high headroom analog mixer 6 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 6 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects

XENYX X2222USB

Premium ultra-low noise, high headroom analog mixer 8 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 8 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound New studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects

XENYX X2442USB

Premium ultra-low noise, high headroom analog mixer 10 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps 8 studio-grade compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound Studio-grade FX processor with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, T

XENYX UFX1604

Premium ultra low-noise, high headroom analog mixer with integrated 24-Bit/96 kHz USB/FireWire interface and 16-track USB recorder Built-in 16x4 interface connects directly to your computer and supports Mac OS X and Windows XP or higher Integrated 16-track USB recorder allows for instant recordings of your studio or live sessions 8 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps with individual Phantom Power switches 8 studio-grade Compressors with super-easy

DMC100

Allows for easy clip on microphone rim mounting for most drum and percussion instruments Adjustable height and swivel 3 clips per set

MC1

A set of (3) three heavy-ducy microphone clips with brass threading. Heavy-duty durable microphone clips Sturdy brass mounting threads

SP04

Spider style shockmount specifically designed for the Samson G-Track (GM1U) microphone

SP01

Spider shockmount for C01, C03, CL7, CL8 and C01U condenser mics.

WS5E

5-pack of foam windscreens Greatly reduces occurrences of P-popping Fits many popular headset microphones (including Samson Qe, Qv)

WS1

5-pack of foam windscreens Greatly reduces occurances of popping and wind noise Fits many popular handheld microphones

PS01

Nylon mesh screen reduces vocal popping and sibilance Universal mic stand mounting bracket Flexible metal gooseneck

TS50P

A pair of telescoping mounting pole speaker stands Heavy-duty canvas carrying bag hlods both stands Solid steel construction Fits standard 1-3/8 inch pole receptacles Compact size folds down for easy transportation

TS20

Telescoping mounting pole for sub/satellite PA systems Heavy gauge aluminum construction with standard 1-3/8 inch diameter Secure locking-pin height adjustment Height adjustable to 56 inches Ideal for Expedition, Resound and dB Series Cabinets

MS200

Professional-grade islotated studio moitor stands Telescoping column for height adjustment Solid metal speaker platform Heavy base with carpet spikes 40 lbs maximum speaker load Ideal for Auro 8, Resolv 65, Resolv 65a, Resolv 80a and Rubicon 6a Monitors

MB1

Perfect for micing kick drums and speaker cabinets Heavy-duty adjustable boom mic stand Die-cast and steel construction Mic clip included

MK10

Collapsible tripod boom stand Sturdy steel construction Sleek black finish Ultra-light for easy transport Includes mic clip

MK5

A complete boom mic stand set-up in one box Heavy-duty adjustable boom mic stand 18' Samson XLR mic cable, Mic clip and windscreen included

BL3

Collapsible tripod boom stand Die-cast and steel construction Sleek black finish Ultra-light for easy transport Ground to boom measurements: 33.86 inches - 56.3 inches Length of boom: 31.3 inches Length of leg: 13.39 inches

BT4

Tripod, collapsible boom mic stand Die-cast and steel construction Sleek black finish

CT20

Full color LCD display Integrated clip with 360° movement for easy viewing Chromatic, guitar and bass tuning scales Built-in mic or clip-on setting for precise tuning Flat tuning/transposition Real-time response for tuning accuracy Pitch calibration ranges from A 410 to 490Hz. Powered by a single CR2032 battery (included) Auto power-off and energy-saving functions for maximum battery life

TIL25

TIL25 - 25' Instrument Cable with (1) Right Angle Connector Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TIL20

TIL20 - 20' Instrument Cable with (1) Right Angle Connector Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TIL10

TIL10 - 10' Instrument Cable with (1) Right Angle Connector Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TIL3

TIL3 - 3' Instrument Cable with (1) Right Angle Connector Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TI50

TI50 - 50' Instrument Cable Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TI25

TI25 - 25' Instrument Cable Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TI20

TI20 - 20' Instrument Cable Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TI15

TI15 - 15' Instrument Cable Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TI10

TI10 - 10' Instrument Cable Genuine Neutrik® nickel-plated phone plug Nylon insulator Large diameter stranded copper conductor Carbon insulator reduces capacitance, eliminating RFI/EMI noise Braided copper shield with 96% coverage to greatly reduce noise Heavy-duty flexible 6mm PVC outer jacket

TM100

TM100 - 100' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM50

TM50 - 50' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM30

TM30 - 30' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM25

TM25 - 25' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM20

TM20 - 20' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM15

TM15 - 15' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM10

TM10 - 10' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM6

TM6 - 6' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

TM3

TM3 - 3' Microphone Cable Genuine Neutrik® nickel-plated phone plug PVC strain relief Genuine Neutrik® XLR connector Braided copper shield, 96% coverage 24-gauge multi-strand copper conductor with PVC jacket 6mm PVC jacket 1/4" to 1/8" adapter included

RS15M HD

Two-way passive wedge monitor enclosure 600 watt peak/300 watt RMS power handling @ 8 ohms Custom designed 15-inch low frequency driver 1-inch throat horn 1.5-inch titanium compression driver Dual-port tuned enclosure Dual 1/4-inch and Speakon® connections

RS12M HD

Two-way passive wedge monitor enclosure 500 watt peak/250 watt RMS power handling @ 8 ohms Custom designed 12-inch low frequency driver 1-inch throat horn 1.5-inch titanium compression driver Dual-port tuned enclosure Dual 1/4-inch and Speakon® connections

RS10M HD

Two-way passive wedge monitor enclosure 300 watt peak/150 watt RMS power handling @ 8 ohms Custom designed 10-inch low frequency driver 1-inch throat horn 1.5-inch titanium compression driver Dual-port tuned enclosure Dual 1/4-inch and Speakon® connections

RS15 HD

Two-way passive PA speaker cabinet 600 watt peak/300 watt RMS power handling @ 8 ohms Custom designed 15-inch low frequency driver 1-inch throat horn 1.5-inch titanium compression driver Dual-port tuned enclosure Dual 1/4-inch and Speakon® connections

RS12 HD

Two-way passive PA speaker cabinet 500 watt peak/250 watt RMS power handling @ 8 ohms Custom designed 12-inch low frequency driver 1-inch throat horn 1.5-inch titanium compression driver Dual-port tuned enclosure Dual 1/4-inch and Speakon® connections

RS10 HD

Two-way passive PA speaker cabinet 300 watt peak/150 watts RMS power handling @ 8 ohms Custom designed 10-inch low frequency driver 1-inch throat horn 1.5-inch titanium compression driver Dual-port tuned enclosure Dual 1/4-inch and Speakon® connections

Auro D1800

Easy to move and built to last, the Auro D1800 Active Subwoofer provides the super tight and punchy low frequency output that your PA has been waiting for. 500 watts RMS and 1000 watts peak of Class D power 18-inch low frequency transducer with robust 3-inch voice coil Fixed frequency (126 Hz, 24 dB/octave) electronic crossover Balanced XLR stereo input Balanced XLR stereo full range and high-pass outputs Power, Signal and Peak LED displays Normal/Invert phase level control Large metal

Auro D415

Compact, lightweight 2-way active loudspeaker system 15-inch extended range low frequency driver 1.34-inch (34mm) compression driver with 1-inch exit 400 watts of output power XLR mic input 1/4-inch line input Volume control 2-band equalizer (Bass and Treble Controls) Line output allows daisy chaining of additional speakers Built-in Optimax compressor/limiter with two-stage speaker protection 1-3/8-inch pole mount receptacle Two oversized ergonomic carry handles Dual-angle floor mo

Auro D412

Compact, lightweight 2-way active loudspeaker system 12-inch extended range low frequency driver 1.34-inch (34mm) compression driver with 1-inch exit 400 watts of output power XLR mic input 1/4-inch line input Volume control 2-band equalizer (Bass and Treble Controls) Line output allows daisy chaining of additional speakers Built-in Optimax compressor/limiter with two-stage speaker protection 1-3/8-inch pole mount receptacle Two oversized ergonomic carry handles Dual-angle floor mo

Auro D210

Compact, lightweight Class D 2-way active loudspeakers 10-inch extended range low frequency driver 1-inch (25mm) compression driver with 1-inch exit 200 watts of output power Mic/Line input with Volume control and Clip LED Additional Line output allows linking of multiple speakers 1 3/8-inch (35mm) pole mount receptacle Floor monitor positioning options

Auro D208

Compact, lightweight Class D 2-way active loudspeakers 8-inch extended range low frequency driver 1-inch (25mm) compression driver with 1-inch exit 200 watts of output power Mic/Line input with Volume control and Clip LED Additional Line output allows linking of multiple speakers 1 3/8-inch (35mm) pole mount receptacle Floor monitor positioning options

SR850

Professional studio reference headphones Open ear design for maximum isolation 50mm drivers for exceptional reproduction and wide dynamic range 10Hz-30kHz frequency response 32Ω impedance Self-adjusting headband for a secure, comfortable fit 1/8-inch to 1/4-inch gold plated adapter included

Resolv A8

Two-way, active studio reference monitor with ported tuned enclosure 8-inch woven carbon fiber woofer for tight and controlled low frequency response 1.25-inch silk dome tweeter with neodymium magnets, heat-sink and ferro-fluid cooling for smooth and sweet high frequency response Low diffraction waveguide Bi-amp power with 75 watts on the LF driver and 25 watts on the HF driver Frequency response: 30Hz-30kHz Active crossover utilizing a multi-pole design for linear response from bottom t

Resolv A6

Two-way, active studio reference monitor with ported tuned enclosure 6.5-inch woven carbon fiber woofer for tight and controlled low frequency response 1.25-inch silk dome tweeter with neodymium magnets, heat-sink and ferro-fluid cooling for smooth and sweet high frequency response Low diffraction waveguide Bi-amp power with 75 watts on the LF driver and 25 watts on the HF driver Frequency response: 40Hz-30kHz Active crossover utilizing a multi-pole design for linear response from bottom

Resolv A5

Two-way, active studio reference monitor with ported tuned enclosure 5-inch woven carbon fiber woofer for tight and controlled low frequency response 1.25-inch silk dome tweeter with neodymium magnets, heat-sink and ferro-fluid cooling for smooth and sweet high frequency response Low diffraction waveguide Bi-amp power with 50 watts on the LF driver and 20 watts on the HF driver Frequency response: 50Hz-30kHz Active crossover utilizing a multi-pole design for linear response from bottom t

Studio GT

Active studio monitors with USB audio interface 4.25-inch magnetically shielded, inverted cone, copolymer woofer 1-inch silk dome high frequency driver 2 x 20 watts of internal stereo power Two combination mic and instrument/line inputs Two 1/8-inch stereo headphone outputs with level controls Includes Cakewalk® Sonar LE music production software Mic and instrument/line gain control with clip LED 16-bit 44.1kHz/48kHz Stereo RCA and 1/8-inch aux inputs 2-position switch for no-lat

MediaOne 5a

Precision-tuned, rear-vented enclosures 5-inch copolymer woofers 25mm silk dome tweeters 40 watts (2 x 20) of Class A/B power Front panel level control, headphones and stereo input jack Convenient RCA inputs AV shielded for multimedia applications Passive crossover design for linear response from bottom to top Sleek black satin vinyl finish 2-meter, 20-gauge speaker cable included

MediaOne 4a

Precision-tuned, rear-vented enclosures 4-inch copolymer woofers 25mm silk dome tweeters 40 watts (2 x 20) of Class A/B power Front panel level control, headphones and stereo input jack Convenient RCA inputs AV shielded for multimedia applications Passive crossover design for linear response from bottom to top Sleek black satin vinyl finish 2-meter, 20-gauge speaker cable included

MediaOne 3a

Precision-tuned, rear-vented enclosures 3-inch copolymer woofers 25mm silk dome tweeters 30 watts (2 x 15) of Class A/B power Front panel level control, headphones and stereo input jack Convenient RCA inputs AV shielded for multimedia applications Passive crossover design for linear response from bottom to top Sleek black satin vinyl finish 2-meter, 20-gauge speaker cable included

AirLine 77 Guitar System

True diversity UHF wireless guitar system with PLL frequency control CR77 receiver features multi-segment audio level and RF level LED meters Squelch and volume control XLR and unbalanced 1/4-inch outputs with mic/line level output switch AF1/AG1 micro transmitter plugs directly into guitar or bass Transmitter features power switch, power/battery LED and 15 dB pad Single AAA battery operation allows up to 14 hours of life for AF1/AG1 AC adapter and 1/4-inch to 1/4-inch cable included

AirLine 77 Handheld System

AX1 transmitter plugs into any standard dynamic mic to make it wireless Transmitter features power switch, power/battery LED and input level control Single AAA battery operation allows up to 14 hours of life for AX1 Includes Samson Q7 dynamic microphone True diversity UHF wireless handheld system with PLL frequency control CR77 receiver features multi-segment audio level and RF level LED meters Squelch and volume control XLR and unbalanced 1/4-inch outputs with mic/line level

AirLine Synth Guitar

AG300 Plug-in micro guitar transmitter, no beltpack Frequency-agile synthesized tuning with over 300 channels* IR transmitter channel set LCD display Mute switch 15 dB pad for hot pick-ups Gain control Low battery indicator 1/4-inch gold jack convertible for Fender® or Gibson® style guitars AR300 Frequency-agile synthesized True Diversity receiver with over 300 channels* Automatic Channel Scan to select the clearest frequency Infrared transmitter channel set 50mm

AirLine Synth Handheld

AX300 Micro transmitter plugs into any XLR dynamic mic Frequency-agile synthesized tuning with over 300 channels* IR transmitter channel set LCD display Mute switch 15 dB pad Gain control Low battery indicator Samson Q7 mic included AR300 Frequency-agile synthesized True Diversity receiver with over 300 channels* Automatic Channel Scan to select the clearest frequency Infrared transmitter channel set 50mm x 20mm backlit LCD display Metal half-rack chassis Dual front-mo

8 Kit

2 C01 Large Diaphragm Condensers for overheads 3 Q-toms for dynamic tom miking with integrated rim mount clip 1 Q-snare with integrated rim mount clip for precise snare drum miking 1 Q-kick perfect for capturing the low-end attack of bass drums 1 C02H Mini Pencil Condenser for hi-hat or ride cymbals All microphones feature Gold-plated XLR connections Complete kit comes packed in a rugged road case

7 Kit

7-piece drum mic kit One QKICK mic with mic stand swivel mount One QSNARE mic with rim clip Three QTOM mics with rim clips Two C02 pencil condenser mics with shock-mount clips Gold-plated XLR connectors Road case included

Q8

The ideal microphone for professional live vocal applications Neodymium dynamic mic element for wide dynamic range High output, low impedance design Supercardioid pickup pattern with excellent off-axis rejection Smooth frequency response of 50Hz-16kHz Handles high SPLs of up to 150dB for close miking situations Multi-axis, shock-mounted capsule minimizes handling noise Rugged die cast body, hardened steel grill Includes mic clip and carry case

Q7

Outstanding microphone for professional live and studio applications Neodymium dynamic mic element for wide dynamic range High gain output, low impedance design Supercardioid pickup pattern with excellent off-axis rejection Smooth frequency response of 80Hz-12kHz Multi-axis, shock-mounted capsule minimizes handling noise Rugged die cast body, hardened steel grill Includes mic clip and carry case

R21

High Output Dynamic Element Unidirectional Cardioid Polar Pattern for Maximum Gain Before Feedback Withstands High Sound Pressure Levels Dual Stage Windscreen Excellent for Live Performance and Recording Rugged Road-Proof Design Gold Plated XLR Connector Mic Clip and Carry Case Included

R31S

Hypercardioid Pickup Pattern Audio On/Off switch XLR to 1/4" Mic cable Mic clip

CCS-CURD

With built-in recorder, graphical display, recording buffer and acoustic feedback suppression facility. Features Built-in MP3 recording and playback with graphical display Patent-pending recording buffer Digital Acoustic Feedback Suppression Discussion control without operator Controls up to 150 contribution devices

CCS-CUD

With digital acoustic feedback suppression facility. Features Built-in MP3 recording and playback with graphical display Patent-pending recording buffer Digital Acoustic Feedback Suppression Discussion control without operator Controls up to 150 contribution devices

CCS-CU

supplies the power for all delegate and chairman units in the system, plus the unit microphones, as well as providing connections for audio inputs and outputs Features Built-in MP3 recording and playback with graphical display Patent-pending recording buffer Digital Acoustic Feedback Suppression Discussion control without operator Controls up to 150 contribution devices

CCS-CML

CCS 900 Chairman Unit Long Microphone

CCS-CMS

CCS 900 Chairman Unit Short Microphone

CCS-DL

microphone stem length 488 mm (19.2 inch) Features Unique, patent pending “Possible‑To‑Speak” indicator Compact, attractive design Built-in volume control for headphones Microphone with flexible stem and light ring Two headphone sockets

CCS-DS

microphone stem length 313 mm (12.3 inch) Features Unique, patent pending “Possible‑To‑Speak” indicator Compact, attractive design Built-in volume control for headphones Microphone with flexible stem and light ring Two headphone sockets

DCN-WCCU

Wireless Central Control Unit

DCN-WDVSC-D

Features Used as delegate or chairman unit Channel selector with number and abbreviated channel name Five voting buttons Separate battery pack, easy to change and charge Advanced power saving techniques

DCN-WDDCS-D

Features Used as (dual) delegate or chairman unit Dual channel selector with number and abbreviated channel name Separate battery pack, easy to change and charge Advanced power saving techniques Low susceptibility to electromagnetic interference

DCN-WDCS-D

Features Used as delegate or chairman unit Channel selector with number and abbreviated channel name Separate battery pack, easy to change and charge Advanced power saving techniques Low susceptibility to electromagnetic interference

DCN-WDV-D

Features Five voting buttons Usable as delegate or chairman unit Separate battery pack, easy to change and charge Advanced power saving techniques Low susceptibility to electromagnetic interference

DCN-WDD-D

Features Two separate headphone connections with individual volume control Useable as single/dual delegate or chairman unit Separate battery pack, easy to change and charge Advanced power saving techniques Low susceptibility to electromagnetic interference

DCN-WD-D

Features Used as delegate or chairman unit Separate battery pack, easy to change and charge Advanced power saving techniques Low susceptibility to electromagnetic interference Auto microphone-off

G-Track

Large, 19mm diaphragm studio condenser USB microphone Works seamlessly with GargeBand, Logic Express and Logic Pro Record electric guitars and vocals at once Record stereo instruments like keyboards or drum machines On-board control of input and output levels Heavy-duty desktop stand, Audio I/O and USB cables included Optional shockmount (SP04) available

Meteor Mic

Large, 25mm diaphragm condenser for rich audio recording Cardioid pickup pattern Smooth, flat frequency response of 20Hz - 20kHz CD quality, 16-bit, 44.1/48kHz resolution Fold-back leg design provides optimal mic positioning Durable chrome-plated body Plugs directly into any computer with a USB input, no drivers required Compatible with most computer-based digital audio workstation software Stereo 1/8-inch headphone jack for no latency monitoring Headphone volume control with micropho

Go Mic

Portable USB condenser microphone Plug and Play Mac and PC compatible, no drivers required Custom compact design that clips to a laptop or sits on a desk Perfect for recording music, podcasting and field recording Ideal for voice recognition software, iChat, VoIP and web casting Transducer Type: condenser, pressure gradient with USB digital output Frequency Response: 20Hz – 18kHz Polar Pattern: cardioid or omni Resolution: 16-bit/44.1kHz 1/8-inch headphone output Includes USB c

UB1

Plug-and-play operation on Mac OS and Windows 16-Bit, 44.1- 48kHz sample rates Miniature, low-profile design Omni-directional pickup pattern 10-foot USB cable included Ideal for recording meetings, conferences or creating podcasts Sleek black finish Includes Cakewalk® Sonar LE™

Q2U

High-quality dynamic handheld microphone with XLR and USB I/O XLR output plugs directly into any console Plugs directly into any computer with a USB input 3.5mm stereo headphone jack output with volume control for no-latency monitoring On/Off switch controls audio to XLR output High-quality A/D converter with 16-bit, 48kHz sampling rate Cardioid pickup pattern Compatible with any computer based digital audio workstation Includes Cakewalk Music Creator recording software Includes HP20

Q1U

Plug in and start recording. No extra gear needed! Everything you need for recording audio on a computer 16-Bit resolution, 44.1-48kHz sampling High SPL neodymium element Supercardioid pickup pattern Smooth, flat frequency response Includes desktop mic stand, mic clip, USB cable and carry pouch Includes Cakewalk Recording Software for your PC: Music Creator LE

C01U Pak

Bundled with Cakewalk's Sonar LE digital audio workstation software C01U features a 19mm internal shock mounted diaphragm Cardioid pick up pattern Includes mic clip, MD5 desktop mic stand, SP01 shockmount and USB cable Comes in durable, lightweight aluminum case

CL8

True Capacitor Large Diaphram Multi-Pattern Studio Condenser Switchable Super Cardioid, Omni and Figure-8 pickup patterns Dual 1.1" Capsules with 3-micron Gold Sputtered Diaphragms Switchable Hi-pass Filter, 12dB per octave at 100 Hz Switchable 10 dB PAD for handling signals with high SPLs 36-52 Volt Phantom Power operation Internal Shock-mount Solid Die Cast construction Swivel Stand Mount and Carry Case included

CL7

Large Diaphragm Studio Condenser 1.1" Capsule with 3-micron Gold Sputtered Diaphragm Switchable Hi-pass Filter, 12dB per octave at 100 Hz Switchable 10 dB PAD for handling signals with high SPL's Smooth and transparent sound reproduction Cardioid pick-up pattern 36-52 Volt Phantom Power operation Internal Shock-mount Extended frequency response Solid Die Cast construction Swivel Stand Mount and Carry Case included

CL5

Pressure gradient, true condenser Extended linear frequency response Super-cardioid pickup pattern Three micron, gold-sputtered diaphragm High SPL capability of 141 dB Dual stage windscreen 48-volt phantom power operation Available in nickel finish Comes in durable aluminum flight case

C02

SuperCardioid Pickup Pattern Gold-plated XLR connectors Carry Case & shock-mounted mic clips included Sold as stereo pair

C03

Switchable Supercardioid, Omni and Figure-8 pickup patterns Dual 19mm capsule design Switchable high-pass filter and 10dB pad Gold-plated XLR connectors Carry Case & swivel mount included Optional SP01 shockmount available

C01

Cardioid pickup pattern Large, dual-layer 19mm diaphragm Heavy gauge mesh grill Gold-plated XLR connector LED indicates 48V phantom power Smooth, flat frequency response Swivel stand mount Optional SP01 spider shock mount

S-convert

+4 to -10 audio level converters RCA -10 inputs with level control, RCA -10 outputs XLR +4 outputs XLR +4 inputs with level control * 18 Volt AC adapter included

S-phantom

2 Channel 48 Volt phantom power supply 2 Balanced XLR mic inputs 2 Balanced XLR and 1/4" mic outputs AC adapter included

S-monitor

XLR microphone input XLR microphone Thru, microphone output to send to main mixer 1/4" stereo mix input 1/4" stereo mix Thru for daisy chaining additional units Microphone volume control Mix volume control Two headphone outputs 18 Volt AC adapter included

S-mix

5-channel mini mixer XLR balanced microphone input with volume control RCA stereo inputs with volume control 1/4" stereo inputs with volume control RCA stereo outputs 1/4" stereo outputs 18 Volt AC adapter included

S-amp

4-channel headphone amplifier Four 1/4" stereo headphone outputs Individual volume control for each headphone output Stereo 1/4" input 18 Volt AC adapter included

S-direct

Perfect for stage and studio Switchable input level handles instrument and speaker levels 48 Volt phantom power or 9 volt operation with auto battery shut off Switchable ground lift 1/4" link output

S-direct plus

Stereo direct box 1/4" linked inputs/outputs 48 volt phantom power or 9 volt operation with auto battery shut off Switch-able ground lift Gold plated XLR balanced outputs Solid extruded aluminum chassis with large rubber feet

C-control

C-que8

S-phone

Four Channel Headphone Mixer/Amplifier Two Master Stereo Inputs plus Stereo Link Output 8 Segment LED Metering on Each Channel and Master Two Band Equalizer on Each Channel Three Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs) Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing Mute and Stereo/2 Channel Mode Switches on Each Channel Maximum Output Power on Each Channel (Regardless of Headphone Impedance)

S-3 way

Full-featured, Stereo 3-way, Mono 4-way Electronic Crossover Phase Switches Invert the Phase of Individual Outputs Adjustable Low Frequency Delay for Time Aligning Speaker Stacks Mode Indicator LEDs Provide Quick Visual Display of Operating Mode 4 Segment LED Input Meter Allows Easy Gain Adjustment Precision Linkwitz-Riley, 24 dB/Octave filters Output Mute Switches for All Individual Outputs Constant Directivity EQ Smoothes the Response of CD Horns Above 3.5 kHz Peak Limiter with Inde

S-com 4

4 Channel Compressor/Limiter, Expander/Gate with Enhancer Linkable in two Stereo pairs Expander/Gate with variable Trigger control and switchable Fast/Slow Release 5 Segment LED meters for Input/Output levels and Gain Reduction on each channel Advanced circuit design utilizing Low Noise Operational Amplifiers and High Quality VCA's Servo Balanced Inputs and Outputs on XLR and 1/4" connectors SKD (Smart Knee Detector) circuit automatically switches from soft to hard knee based on the lev

S-com plus

Compressor/Limiter, Expander/Gate, De-Esser with Peak Limiter Expander/Gate with Variable Trigger Control and Switchable Fast/Slow Release Peak Limiter with Independent Threshold Control and Peak LED Adjustable De-Esser with independent LED Meter for Reducing Sibilance Advanced Circuit Design Utilizing Low Noise Operational Amplifiers and High Quality VCA's Servo Balanced Inputs and Outputs on XLR and 1/4" Connectors SKD (Smart Knee Detector) Circuit Switches from Soft to Hard Knee Base

S-patch plus

Fully balanced, extremely durable 48-Point Patchbay Normal, Half-normal and Through Mode operation 3-way Front Panel Mode Switches 1/4" TRS Connectors 19" Rack Mount Chassis

TXM20

12 high-quality microphone preamps 500 watts stereo, 1000 watts bridged mono 4 Aux sends (1 pre, 1 pre/post, 2 effects) Dual 9-band graphic EQ Dual Internal 24 bit effects processor with 100 preset programs Mono sub output with variable low-pass ﬁlter 1/4-inch phone and Speakon® outputs

TXM16

8 high-quality microphone preamps 500 watts stereo, 1000 watts bridged mono 3 Aux sends (2 pre, 1 effects) Dual 9-band graphic EQ Internal 24 bit effects processor with 100 preset programs Mono sub output with variable low-pass ﬁlter 1/4-inch phone and Speakon® outputs

XML910

12-channel, 900 watt stereo powered mixer Lightweight Class-D amplifier design Studio-quality 24-bit DSP stereo effects with 100 selectable presets Low-noise mic pre-amps, phantom power, 3-band EQ, DSP on each channel Variable compression on mono channels Channel feedback detection 7-band graphic EQ for both the main and monitor outputs 1/4-inch and Speakon® speaker outputs Solid construction with two convenient carry handles for easy transport

XML610

12-channel, 600 watt stereo powered mixer Lightweight Class-D amplifier design Studio-quality 24-bit DSP stereo effects with 100 selectable presets Low-noise mic pre-amps, phantom power, 3-band EQ, DSP on each channel Variable compression on mono channels Channel feedback detection 7-band graphic EQ for both the main and monitor outputs 1/4-inch and Speakon® speaker outputs Solid construction with two convenient carry handles for easy transport

XML410

6-channel, 400 watt powered mixer Lightweight Class-D amplifier design Studio-quality 24-bit DSP stereo effects with 100 selectable presets Low-noise mic pre-amps, phantom power, 3-band EQ, DSP on each channel 7-band graphic EQ 1/4-inch speaker outputs Solid construction with two convenient carry handles for easy transport

SM10

Ten channels (eight 1/4-inch stereo line inputs, two combination XLR-1/4-inch inputs) Balance control for each channel Switchable +4 dBu or -10 dBV line input level Balanced main stereo XLR and 1/4-inch line outputs Versatile signal routing Low noise, discrete microphone pre-amplifiers with 48-volt phantom power Two auxiliary sends Front-panel headphone and monitor outputs with level controls Flexible 6-segment LED meter/headphone source control Center detents for all controls for use

L3200

32 Input Channels (24 mono) XLR Mic: 24 mono channels + 4 stereo channels Frequency Response: 20Hz – 20kHz Weight: 39.70 lbs (18.1kg) Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm) 4 Stereo Line Inputs 24 Inserts Large Illuminated Mute Switches Stereo inserts 4 Groups with inserts 3-Band EQ with sweepable mids 6 Aux sends Dual DSP with 100 digital multi-effects 2 Stereo aux return USB I/O (from aux sends or main mix) Input gain trim on each channe

L2400

Channels: 24 input channels (24 mono) XLR Mic: 16 mono channels + 4 stereo channels Frequency Response: 20Hz - 20kHz Weight: 35.71 lbs (16.2kg) Dimensions (H x W x D): 6.38" x 31.41" x 20.98" (162mm x 1014mm x 533mm) 4 Stereo Line Inputs 16 Inserts Large Illuminated Mute Switches Stereo inserts 4 Groups with inserts 3-Band EQ with sweepable mids 6 Aux sends Dual DSP with 100 digital multi-effects 2 Stereo aux return USB I/O (from aux sends or main mix) Input gain tri

L2000

20-channel / 4-bus professional mixing console engineered for live sound 16 mono mic/line channels with studio-quality microphone preamps and 3-band swept mid EQ 2 stereo line channels with microphone preamps and 4-band EQ XLR and 1/4" stereo main outputs XLR mono subwoofer output with low-pass filter Insert points for mono mic/line inputs, group outputs, stereo main outputs 60mm faders on all channels, groups, and main mix 24-bit DSP with 100 preset effects 9-band stereo graphic EQ on

L1200

12-channel / 4-bus professional mixing console engineered for live sound 8 mono mic/line channels with studio-quality microphone preamps and 3-band swept mid EQ 2 stereo line channels with microphone preamps and 4-band EQ XLR and 1/4" stereo main outputs XLR mono subwoofer output with low-pass filter Insert points for mono mic/line inputs, group outputs, stereo main outputs 60mm faders on all channels, groups, and main mix 24-bit DSP with 100 preset effects 9-band stereo graphic EQ on

MDR1688

Excellent sounding mixer for studio and live applications 16 Inputs: 8 mic/line plus 4 stereo line 24-bit Digital Effects Processor with 256 Presets 3-band EQ with sweepable mids on mic/line inputs 4-band EQ on stereo channels 60mm faders Standard 19-inch rack mount kit included

MDR1248

Excellent sounding mixer for studio and live applications 12 Inputs: 4 mic/line plus 4 stereo line 24-bit Digital Effects Processor with 256 Presets 3-band EQ with sweepable mids on mic/line inputs 4-band EQ on stereo channels 60mm faders Standard 19-inch rack mount kit included

MDR1064

Full-featured compact mixer for live or studio use Six high quality Microphone Pre Amps with Channel Inserts Two Stereo Channels 3 band EQ on all channels Dual Auxiliary Sends 8 Segment Stereo LED Bar VU Meter

MDR624

Full-featured compact mixer for live or studio use Two high quality Microphone preamps 3-band EQ on all channels Two stereo channels 8 Segment Stereo LED Bar VU Meter

EVID C8.2LP

Chassis Size 203.2 mm (8") Color White (paintable surface) Coverage (Nominal -6 dB) 110 conical Diameter (Max) 270 mm (10.63") Input Formats 8 Ω, 70 V, 100 V Mounting Systems Integrated 3-point toggle anchors Speaker Type Ported cabinet, internally damped, two-way (passive crossover included) Transformer Yes Transformer Taps (Transformer Version Only) (1.88 - 70 V only), 3.75, 7.5, 15, 30 Frequency Respons

EVID C4.2

Chassis Size 101.6 mm (4") Color White (paintable surface) Coverage (Nominal -6 dB) 130 conical Diameter (Max) 181 mm (7.13") Input Formats 8 Ω, 70 V, 100 V Mounting Systems Integrated 3-point toggle anchors Speaker Type Ported cabinet, internally damped, two-way passive crossover included Transformer Yes Transformer Taps (Transformer Version Only) (1.88 - 70 V only), 3.75, 7.5, 15, 30 Frequency Response (

EVID 12.1w

Chassis Size 304.8 mm (12") Input Connections Spring Terminal Speaker Type Subs Frequency Response (-10 dB) 40 - 140 Hz Internal Crossover Yes Sensitivity 1 W/1 m 100 dB 1/4 space Max. SPL/1m (calc) 128 dB 1/4 space System Power Handling (Continuous/Program/Peak) 175//700 Watts per coil LF Transducer 12-inch LF Power Handling 12-inch Watts Nominal Impedance (Passive) 8 &Omega

EVID 12.1

EVID 6.2tw

Chassis Size 152.4 mm (6") Color Black, White Input Connections Spring Terminal Speaker Type Fullrange, Mid-High, Two-Way Transformer Taps (Transformer Version Only) 70 V/100 V: 15 W, 30 W, 60 W, 8 Ω Bypass Frequency Response (-10 dB) 62 - 20000 Hz Internal Crossover Yes Sensitivity 1 W/1 m 94 dB Max. SPL/1m (calc) 122 dB Coverage (Nominal -6 dB) H 100 ° Coverage (Nominal -6 d

EVID 6.2t

EVID 4.2tw

Chassis Size 101.6 mm (4") Color Black, White Input Connections Spring Terminal Speaker Type Fullrange, Mid-High, Two-Way Transformer Taps (Transformer Version Only) 70 V: 3.75 W, 70 V/100 V:7.5 W, 15 W,30 W,8 Ω Bypass Frequency Response (-10 dB) 65 - 20000 Hz Internal Crossover Yes Sensitivity 1 W/1 m 89 dB Max. SPL/1m (calc) 115 dB Coverage (Nominal -6 dB) H 120 ° Coverage (Nomin

EVID 4.2t

EVID 3.2tw

Chassis Size 88.9 mm (3.5") Color Black, White Input Connections Spring Terminal Speaker Type Fullrange, Mid-High, Two-Way Transformer Taps (Transformer Version Only) 70 V: 5 W, 100 V:10 W Frequency Response (-10 dB) 85 - 20000 Hz Sensitivity 1 W/1 m 87 dB Max. SPL/1m (calc) 112 dB Coverage (Nominal -6 dB) H 140 ° Coverage (Nominal -6 dB) V 100 ° System Power Handling (Continuou

EVID 3.2t

EVID 6.2w

EVID 6.2

EVID 4.2w

EVID 4.2

EVID 3.2w

EVID 3.2

TX1152FM

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange Frequency Response (-3 dB) 65 - 20000 Hz Frequency Response (-10 dB) 45 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 45 Hz Sensitivity 1 W/1 m 100 dB Max. SPL/1m (calc) 133 dB Coverage (Nominal -6 dB) H 90 ° Coverage (Nominal -6 dB) V 50 ° Rotatable Horn No System

TX1122FM

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange Frequency Response (-3 dB) 70 - 20000 Hz Frequency Response (-10 dB) 55 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 60 Hz Sensitivity 1 W/1 m 99 dB Max. SPL/1m (calc) 132 dB Coverage (Nominal -6 dB) H 90 ° Coverage (Nominal -6 dB) V 50 ° Rotatable Horn No System

TX2181

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Subwoofer Frequency Response (-3 dB) 50 - 160 Hz Frequency Response (-10 dB) 40 - 1500 Hz Internal Crossover No Recommended Low-Pass Frequency 80 - 120 Hz Sensitivity 1 W/1 m 103 dB Max. SPL/1m (calc) 138 dB System Power Handling (Continuous/Program/Peak) 1000//4000 Watts LF Transducer Two 18-inch EVS18S Nominal

TX1181

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Subwoofer Frequency Response (-3 dB) 50 - 160 Hz Frequency Response (-10 dB) 45 - 700 Hz Internal Crossover Low-pass filter Recommended High-Pass Frequency 30 Hz Sensitivity 1 W/1 m 100 dB Max. SPL/1m (calc) 132 dB System Power Handling (Continuous/Program/Peak) 500//2000 Watts LF Transducer 18-inch EVS18S Nomina

TX2152

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Full-range Frequency Response (-3 dB) 55 - 13000 Hz Frequency Response (-10 dB) 50 - 18000 Hz Internal Crossover Yes Recommended High-Pass Frequency 40 Hz Sensitivity 1 W/1 m 103 dB Max. SPL/1m (calc) 139 dB Coverage (Nominal -6 dB) H 60 ° Coverage (Nominal -6 dB) V 40 ° Rotatable Horn Yes Syst

TX1152

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Full-range Frequency Response (-3 dB) 65 - 20000 Hz Frequency Response (-10 dB) 45 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 40 Hz Sensitivity 1 W/1 m 100 dB Max. SPL/1m (calc) 133 dB Coverage (Nominal -6 dB) H 60 ° Coverage (Nominal -6 dB) V 40 ° Rotatable Horn Yes Syst

TX1122

Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Full-range Frequency Response (-3 dB) 70 - 20000 Hz Frequency Response (-10 dB) 55 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 45 Hz Sensitivity 1 W/1 m 99 dB 1w/1m Max. SPL/1m (calc) 132 dB Coverage (Nominal -6 dB) H 90 ° Coverage (Nominal -6 dB) V 50 ° Rotatable Horn No

ELX118P

Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Coverage (Nominal -6 dB) Omnidirectional Input Connections Parallel Neutrik® NL4 Nominal Impedance 8 Ω Power Rating 700 W Speaker Type Subwoofer Woofer Size 457.2 mm (18") Frequency Response (-3 dB) 42 - 100 Hz Frequency Response (-10 dB) 32 - 130 Hz Internal Crossover Yes Max. SPL/1m (calc)

ELX115P

Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Nominal Impedance 8 Ω Power Rating 1000 W Speaker Type Full-range, mid-high, two-way Woofer Size 381 mm (15") Frequency Response (-3 dB) 56 - 18000 Hz Frequency Response (-10 dB) 44 - 20000 Hz Internal Crossover Yes Max. SPL/1m (calc) 134 dB Coverage (Nominal -6 dB) H 90 ° Coverage (Nom

ELX112P

Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Nominal Impedance 8 Ω Power Rating 1000 W Speaker Type Full-range, two-way, wedges Woofer Size 304.8 mm (12") Frequency Response (-3 dB) 60 - 18000 Hz Frequency Response (-10 dB) 50 - 20000 Hz Internal Crossover Yes Max. SPL/1m (calc) 132 dB Coverage (Nominal -6 dB) H 90 ° Coverage (Nom

ELX118

Axial Sensitivity (SPL, 1 W @ 1 m) 96 dB Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Coverage (Nominal -6 dB) Omnidirectional Speaker Type Subwoofer Woofer Size 457.2 mm (18") Frequency Response (-3 dB) 50 - 100 Hz Frequency Response (-10 dB) 35 - 200 Hz Internal Crossover Yes Recommended High-Pass Frequency 30 Hz Max. SPL/1m (calc) 134&nb

ELX215

Axial Sensitivity (SPL, 1 W @ 1 m) 96 dB Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Coverage (Nominal -6 dB) Omnidirectional Speaker Type Full-range, mid-high, two-way Woofer Size 381 mm (15") Frequency Response (-3 dB) 62 - 18000 Hz Frequency Response (-10 dB) 38 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 35 Hz Max.

ELX115

Axial Sensitivity (SPL, 1 W @ 1 m) 95 dB Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Speaker Type Full-range, mid-high, two-way Woofer Size 381 mm (15") Frequency Response (-3 dB) 75 - 18000 Hz Frequency Response (-10 dB) 50 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 40 Hz Max. SPL/1m (calc) 134 dB Half Space Cov

ELX112

Axial Sensitivity (SPL, 1 W @ 1 m) 94 dB Case Material 9-ply, 15mm Plywood, Internally Braced, with Textured Paint Color Black Speaker Type Full-range, two-way, wedges Woofer Size 304.8 mm (12") Frequency Response (-3 dB) 82 - 18000 Hz Frequency Response (-10 dB) 55 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 45 Hz Max. SPL/1m (calc) 132 dB Half Space Cov

ZXA5-90B

Amplifier Power 1250 Watts (RMS) Chassis Size 381 mm (15") Color Black, white Input Connections XLR Power Requirement 120V: 95V - 132V, 50 - 60 Hz, 0.6A 230V:190V - 264V, 50 - 60 Hz, 0.4A Speaker Type Fullrange, Powered Monitors, Powered Monitors, Powered Speakers, Two-Way, Wedges Frequency Response (-3 dB) 58 - 18000 Hz Frequency Response (-10 dB) 50 - 20000 Hz Recommended High-Pass Frequency 100 Hz U

ZX5-60PI

Chassis Size 381 mm (15") Color Black, white Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange, Mid-High, Two-Way, Wedges Frequency Response (-3 dB) 58 - 18000 Hz Frequency Response (-10 dB) 39 - 20000 Hz Internal Crossover Switchable biamp or passive crossover Recommended High-Pass Frequency 36 Hz Sensitivity 1 W/1 m 98 dB Max. SPL/1m (calc) 132 dB Coverage (Nomin

ZX5-60W

ZX5-60B

ZX5-90PI

ZX5-90W

ZX5-90B

ZX4

Chassis Size 381 mm (15") Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange, Mid-High, Two-Way, Wedges Frequency Response (-3 dB) 60 - 20000 Hz Frequency Response (-10 dB) 42 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 42 Hz Sensitivity 1 W/1 m 100 dB Max. SPL/1m (calc) 132 dB Coverage (Nominal -6 dB) H 90 ° Coverage

ZX3-60PIW

Color Black, white Input Connections 2 conductor SJO cable and gland nut Nominal Impedance 8 Ω Speaker Type Full-range Frequency Response (-3 dB) 58 - 15000 Hz Frequency Response (-10 dB) 48 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 50 Hz Sensitivity 1 W/1 m 97 dB Max. SPL/1m (calc) 131 dB Coverage (Nominal -6 dB) H 90/60 ° Coverage (Nominal -6&nb

ZX3-60PI

ZX3-60W

ZX3-60B

ZX3-90PIW

ZX3-90PI

ZX3-90W

ZX3-90B

ZX1i-100TW

Color Black, white Input Connections 4-pin Phoenix Nominal Impedance 8 Ω Speaker Type Fullrange, Mid-High, Two-Way Frequency Response (-3 dB) 60 - 20000 Hz Frequency Response (-10 dB) 48 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 40 Hz Sensitivity 1 W/1 m 94 dB Max. SPL/1m (calc) 123 dB Coverage (Nominal -6 dB) H 90/100 ° Rotatable Coverage (Nomina

ZX1i-100TB

ZX1i-100W

ZX1i-100B

ZX1i-90W

ZX1i-90B

ZX1-90W

Chassis Size 203.2 mm (8") Color Black Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange, Mid-High, Two-Way, Wedges Frequency Response (-3 dB) 60 - 20000 Hz Frequency Response (-10 dB) 48 - 20000 Hz Internal Crossover Yes Recommended High-Pass Frequency 40 Hz Sensitivity 1 W/1 m 94 dB Max. SPL/1m (calc) 123 dB Coverage (Nominal -6 dB) H 90 ° Rotatable

ZXA1-SUB

Amplifier Power 800 Watts (RMS) Color Black Coverage (Nominal -6 dB) Omnidirectional Input Connections (2) XLR Stereo Input, (2) XLR Stereo Output Power Requirement 120V: 90V-132v, 1.0 A, 50-60Hz 230V: 190V-264V, 0.6A, 50-60Hz Speaker Type Powered Subwoofer Frequency Response (-3 dB) 53–93 Hz Half Space Frequency Response (-10 dB) 44–118 Hz Half Space Max. SPL/1m (calc) 126 dB Hal

ZXA1-90B

Amplifier Power 800 Watts (RMS) Color Black Input Connections XLR and TRS Combo; XLR with Independent Gain Power Requirement 120V: 95V - 132V, 50 - 60 Hz, 0.6A 230V:190V - 264V, 50 - 60 Hz, 0.4A Speaker Type Full-range, powered monitors, powered speakers, two-way, wedges Frequency Response (-3 dB) 60 - 20000 Hz Full Range Mode Frequency Response (-10 dB) 48 - 20000 Hz Full Range Mode Recommended High-Pass Frequency 36

ZX1-90B

SxA250

Powered 230V, 15-inch two-way, 80' x 55', two mic/line inputs, line level out, stand mount, black

SxA100+

Powered 230V, 12-inch two way, 65' x 65', 2 mic/line inputs, line-level out, stand mount, black polypropylene

QRx-218S-WH

Axial Sensitivity (SPL, 1 W @ 1 m) 102 dB Chassis Size 457.2 mm (18") Color Black, White, Unfinished Coverage (Nominal -6 dB) Essentially Omni Input Connections 2 Neutrik® NL4 Speaker Type Subs Frequency Response (-3 dB) 38 - 125 Hz Frequency Response (-10 dB) 31 - 250 Hz Internal Crossover No Recommended High-Pass Frequency 35 Hz 12 dB/octave Sensitivity 1 W/1 m 102

QRx-218S-BLK

QRx-118S-WH

Axial Sensitivity (SPL, 1 W @ 1 m) 98 dB Chassis Size 457.2 mm (18") Color Black, White Coverage (Nominal -6 dB) Essentially Omni Input Connections 2 Neutrik® NL4 Nominal Impedance 8 Ω Speaker Type Subs Frequency Response (-3 dB) 45 - 150 Hz Frequency Response (-10 dB) 30 - 250 Hz Recommended High-Pass Frequency 36 Hz 12 dB/octave Sensitivity 1 W/1 m 98 dB

QRx-118S-BLK

QRx-212/75-WH

Axial Sensitivity (SPL, 1 W @ 1 m) 102 dB Chassis Size 304.8 mm (12") Color Black, White Input Connections 2 Neutrik® NL4 Speaker Type Fullrange, Mid-High, Two-Way Frequency Response (-3 dB) 75 - 16000 Hz Frequency Response (-10 dB) 52 - 18000 Hz Recommended High-Pass Frequency 45 Hz 12 dB/octave Sensitivity 1 W/1 m 102 dB Max. SPL/1m (calc) 135 dB Coverage (Nomi

QRx-212/75-BLK

QRx-153/75-WH

Axial Sensitivity (SPL, 1 W @ 1 m) 98/105 dB Chassis Size 381 mm (15") Color Black, White Input Connections 2 Neutrik® NL4 Speaker Type Fullrange, Mid-High, Three-Way Frequency Response (-3 dB) 50 - 16000 Hz Frequency Response (-10 dB) 42 - 20000 Hz Internal Crossover Yes Max. SPL/1m (calc) 130 dB Coverage (Nominal -6 dB) H 75 ° Coverage (Nominal -6 dB) V 50 °

QRx-153/75-BLK

QRx-115/75-WH

Axial Sensitivity (SPL, 1 W @ 1 m) 98 dB Chassis Size 381 mm (15") Color Black, White Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange, Mid-High, Two-Way, Wedges Frequency Response (-3 dB) 60 - 15000 Hz Frequency Response (-10 dB) 45 - 16000 Hz Recommended High-Pass Frequency 45 Hz 12 dB/octave Sensitivity 1 W/1 m 98 dB Max. SPL/1m (calc) 130 dB Cov

QRx-115/75-BLK

QRx-112/75-WH

Axial Sensitivity (SPL, 1 W @ 1 m) 98 dB Passive Chassis Size 304.8 mm (12") Color Black, White, Unfinished Input Connections Parallel Neutrik® NL4 Speaker Type Fullrange, Mid-High, Two-Way, Wedges Frequency Response (-3 dB) 75 - 15000 Hz Frequency Response (-10 dB) 52 - 18000 Hz Recommended High-Pass Frequency 45 Hz 12 dB/octave Sensitivity 1 W/1 m 98 dB Max. SPL/1m (

QRx-112/75-BLK

PA4150L

Amplifier Gain 30 dB Continuous Rated Power (1 kHz, THD 1%) 4Ω 160 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 100 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 150 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 75 Watts Crosstalk < < -75 dB ref. 1kHz, @ 10% rated output power DIM 30 < 0.1 % Frequency Response < 10Hz - 40kHz -1dB, ref. 1kH

PA2400T

Amplifier Gain 34 dB Continuous Rated Power (1 kHz, THD 1%) 100v 430 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 430 Watts Continuous Rated Power (1 kHz, THD 1%) 70v 430 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 215 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 100v 400 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 400 Watts Continuo

PA2450L

Amplifier Gain 34.3 dB Continuous Rated Power (1 kHz, THD 1%) 4Ω 450 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 220 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 400 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 200 Watts Crosstalk < < -75 dB ref. 1kHz, @ 10% rated output power DIM 30 < 0.1 % 3.15kHz, 15kHz Frequency Response < 10Hz - 40

PA2250T

Amplifier Gain 34.3 dB Continuous Rated Power (1 kHz, THD 1%) 100v 270 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 270 Watts Continuous Rated Power (1 kHz, THD 1%) 70v 270 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 135 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 100v 250 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 250 Watts Contin

PA1250T

Continuous Rated Power (1 kHz, THD 1%) 100v 270 Watts Continuous Rated Power (1 kHz, THD 1%) 70v 270 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 100v 250 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 70v 250 Watts Crosstalk < < -75 dB DIM 30 < 0.1 % Frequency Response 65Hz-20kHz Input Impedance (Balanced) > 20 kΩ Input Sensitivity 0 dBu Intermodulation Distor

CP4000S

Amplifier Gain 32 dB Continuous Rated Power (1 kHz, THD 1%) 2Ω 2100 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 1500 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 900 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 1200 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 600 Watts Crosstalk < < -80 dB at 1,000 Hz Electronics T

CP3000S

Amplifier Gain 32 dB Continuous Rated Power (1 kHz, THD 1%) 2Ω 1600 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 1100 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 600 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 900 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 450 Watts Crosstalk < < -80 dB at 1,000 Hz Electronics Ty

Q1212

Amplifier Gain 32 dB Continuous Rated Power (1 kHz, THD 1%) 2Ω 1800 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 1200 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 750 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 1100 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 550 Watts Cooling Front-to-Rear, 3-stage fans DIM 30 0.05 % Electronics

Q99

Amplifier Gain 32 dB Continuous Rated Power (1 kHz, THD 1%) 2Ω 1250 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 900 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 550 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 800 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 400 Watts Cooling Front-to-Rear, 3-stage fans DIM 30 0.05 % Electronics T

Q66

Amplifier Gain 32 dB Continuous Rated Power (1 kHz, THD 1%) 2Ω 900 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 600 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 380 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 500 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 250 Watts Cooling Front-to-Rear, 3-stage fans DIM 30 0.05 % Electronics Ty

Q44

Amplifier Gain 32 dB Continuous Rated Power (1 kHz, THD 1%) 2Ω 650 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 450 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 270 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 400 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 8Ω 200 Watts Cooling Front-to-Rear, 3-stage fans DIM 30 0.05 % Electronics Ty

CPS 4.10-230V

Amplifier Gain 32 dB (Lo-Z), 33 dB (70V), 36 dB (100V) Analog Inputs 4, electronically balanced, Phoenix-type Audio Network No CAN Bus Interface Optional (RCM-810 card) Continuous Rated Power (1 kHz, THD 1%) 100v 1000 Watts Continuous Rated Power (1 kHz, THD 1%) 2Ω 1000 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 1000 Watts Continuous Rated Power (1 kHz, THD 1%

CPS 8.5-230V

Amplifier Gain 32 dB (Lo-Z), 33 dB (70V), 36 dB (100V) Analog Inputs 8, electronically balanced, Phoenix-type Audio Network No CAN Bus Interface Optional (RCM-810 card) Continuous Rated Power (1 kHz, THD 1%) 100v 500 Watts Continuous Rated Power (1 kHz, THD 1%) 2Ω 500 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 500 Watts Continuous Rated Power (1 kHz, THD 1%) 7

CPS 4.5-230V

Amplifier Gain 32 dB (Lo-Z), 33 dB (70V), 36 dB (100V) Analog Inputs 4, electronically balanced, Phoenix-type Audio Network No CAN Bus Interface Optional (RCM-810 card) Continuous Rated Power (1 kHz, THD 1%) 100v 500 Watts Continuous Rated Power (1 kHz, THD 1%) 2Ω 500 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 500 Watts Continuous Rated Power (1 kHz, THD 1%) 7

CPS 2.12-230V

Amplifier Gain 32 dB Analog Inputs 2, electronically balanced, Phoenix-type Audio Network No CAN Bus Interface Optional (RCM-810 card) Continuous Rated Power (1 kHz, THD 1%) 2Ω 1800 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 1200 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 750 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 1100 Watts Continuous R

CPS 2.9-230V

Amplifier Gain 32 dB Analog Inputs 2, electronically balanced, Phoenix-type Audio Network No CAN Bus Interface Optional (RCM-810 card) Continuous Rated Power (1 kHz, THD 1%) 2Ω 1250 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 900 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 550 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 800 Watts Continuous Rat

CPS 2.6-II-230V

Electronics Type Amplifier Frequency Response 10 Hz - 40 kHz ±1 dB Impedance 2/4/8 Ω Input Impedance (Balanced) 20 kΩ Input Sensitivity +3.1 dBu (1.11Vrms) Intermodulation Distortion (SMPTE) 0.05 % Mains Voltage 240 V, 230 V, 120 V or 100 V; 50 Hz - 60 Hz (factory configured) Maximum Bridged Output 4Ω 1800 Watts Maximum Bridged Output 8Ω 1200 Watts Maximum Input Voltage +21 dBu 8.69 Vrms Network Co

CPS 2.4-II-230V

Amplifier Gain 32 dB Analog Inputs 2, electronically balanced, Phoenix-type Audio Network No CAN Bus Interface Optional (RCM-810 card) Continuous Rated Power (1 kHz, THD 1%) 2Ω 650 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 450 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 270 Watts Continuous Rated Power (20-20 kHz,THD<0,2%) 4Ω 400 Watts Continuous Rate

RCM-26

A/D Conversion 24 Bit linear, Sigma-Delta, 128 times oversampling Analog Inputs 2 audio inputs on internal slot connector, pre-/post fader selectable CAN Bus Interface 10 - 500 kbaud, 2x RJ-45 (IRIS-Net Control) Control Protocol CAN Bus D/A Conversion 24 Bit, Sigma-Delta, 128 times over-sampling Data Format 24 Bit linear A/D and D/A conversion, 48 Bit processing Digital Inputs AES3 (AES/EBU) format, XLR In/Thru connectors FIR-Drive

TG5

A/D Conversion 24 Bit linear, Sigma-Delta, 128 times oversampling Amplifier Gain 39, 35, or 32 dB Switchable Analog Inputs Yes CAN Bus Interface 10 - 500 kbaud, 2x RJ-45 (IRIS-Net Control) Continuous Rated Power (1 kHz, THD 1%) 2Ω 2000 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 1450 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 850 Watts Continuous Rated Power (2

TG7

A/D Conversion 24 Bit linear, Sigma-Delta, 128 times oversampling Amplifier Gain 41.5/35/32 dB Switchable Analog Inputs Yes CAN Bus Interface 10 - 500 kbaud, 2x RJ-45 (IRIS-Net Control) Continuous Rated Power (1 kHz, THD 1%) 2Ω 3500 Watts Continuous Rated Power (1 kHz, THD 1%) 4Ω 2500 Watts Continuous Rated Power (1 kHz, THD 1%) 8Ω 1500 Watts Continuous Rated Power (20-

DX46

A/D Conversion 24-Bit Delta Sigma Analog Inputs Two XLR, Two XLR THRU OUT Analog Outputs Six XLR Control Protocol USB, Ethernet D/A Conversion 24-Bit Delta Sigma Data Format 24-Bit Digital Inputs 1 XLR AES/EBU (2Ch) Dynamic Range 115 dB A-weighted Frequency Response 20 Hz - 22 kHz ±0.5 dB Input Impedance (Balanced) 10 kΩ Internal Processing 48-Bit Double Precision Maximum Input Voltage

DC-One

A/D Conversion 24-Bit Delta-Sigma, 24-bit/sigma-delta 128 times oversampling Linear Phase Analog Inputs Two XLR, Two XLR THRU OUT Analog Outputs Six XLR Control Protocol Front Panel USB port D/A Conversion 24-Bit Delta-Sigma, 24-bit/sigma-delta 128 times oversampling Data Format 24-Bit Digital Inputs 1 XLR AES/EBU (2 Ch) Dynamic Range 111 dB unweighted, band limited 22 Hz - 22kHz Electronics Type Processor

AB-2

Mounts antenna on wall or other structure Can be used to mount a half-wave antenna on microphone stand Includes a 10ft coax cable Includes male-to-male TNC adapter for use with CXU-X or other longer coax cables

UAA-500

Case Material Cast Aluminum Connector Type TNC Female Operating Current 65 mA typical Operating Voltage 12 VDC RF Frequency Range 500-900 MHz RF Signal Gain 3 or 10 dB Third Order Intermod 30 dBm Height 119 mm (4.69") Width 38 mm (1.5") Depth 32 mm (1.26")

LPA500

5dB gain on axis compared to an omni-directional antenna Mounting hardware for microphone stands, truss, walls, and other surfaces Includes 10 foot coax cable for remote mounting Standard EV TNC connector for use with CXU-XX cables

APD4+

Provides diversity antenna distribution to four single receivers Provides power distribution for four RE-2 receivers Universal power supply with IEC power cord Phantom power on antenna inputs for UAA-500 amplifier Can be cascaded to provide antennas for up to 16 receivers (requires 5 APD4+)

RE920

Case Material Metal Connector Type TA4F Diameter (Max) 24 mm (0.94") Element Condenser (back-electret) Finish Non-reflecting Black Frequency Response 80 - 18,000 Hz Impedance, Low-Z balanced 1000 Ω Maximum SPL (1% THD) 148 dB Mic Type Instrument Open Circuit Voltage 1.3 mV/Pascal Polar Pattern Cardioid Power Requirement 5 VDC (via optional bodypack) Wired/Wireless Wireless

RE97TX

Connector Type TA4F Current Consumption < 500 uA Diameter (Max) 3.05 mm (0.12") Element Back Electret Condenser Maximum SPL (1% THD) 125 dB Mic Type Headworn Open Circuit Voltage 4 mV/Pascal Polar Pattern Omni Wired/Wireless Wireless Weight Net 0.6 oz (17 g)

HM2

Lightweight – 0.9 oz (25 gm), less cable Behind-the-head headband is comfortable and stays in place Cardioid pattern for good gain-before-feedback Frequency response and proximity effect equivalent to handheld vocal mics TA4F connector is compatible with all EV bodypack transmitters

ULM21

Back-electret cardioid microphone Clothing clip attaches at microphone body to maintain cardioid pattern Integrated 6-foot (180cm) cable TA4F connector is compatible with all EV bodypack transmitters Use with TXA for wired XLR applications

OLM10

Back-electret omni-directional microphone Clothing clip included for easy mounting Integrated 6-foot (180cm) cable TA4F connector is compatible with all EV bodypack transmitters Use with TXA for wired XLR applications

PC Boundary

Case Material Steel Connector Type TA4F Element Dual condenser (back-electret) Finish Non-reflective camera black Frequency Response 50 - 20,000 Hz Impedance, Low-Z balanced 1000 Ω Mic Type Boundary Open Circuit Voltage 17.8 mV/Pascal Polar Pattern Omni, Cardioid, S-cardioid & Figure 8 Power Requirement 5 VDC (via optional body pack)

PC XLR

Case Material Steel Connector Type 3-pin XLR Diameter (Max) 6.4 mm (0.25") Element Back Electret Condenser Finish Semi-Gloss Camera Black Impedance, Low-Z balanced 200 Ω Mic Type Gooseneck Open Circuit Voltage 5.6 mV/Pascal Polar Pattern Cardioid, Hypercardioid, Supercardioid, Omni Wired/Wireless Wired Height 299 mm (11.77") Weight Net 14.5 oz (411 g)

PC FL

PC Desktop

Case Material Steel Connector Type 3-pin XLR Diameter (Max) 6.4 mm (0.25") Element Dual condenser (back-electret) Finish Non-reflective camera black Frequency Response 50 - 20,000 Hz Impedance, Low-Z balanced 200 Ω Mic Type Gooseneck Open Circuit Voltage 5.6 mV/Pascal Polar Pattern Omni, Cardioid, S-cardioid & H-cardioid Power Requirement 12 - 52 VDC Wired/Wireless Wired Height 344 mm&nbs

PL-DK7

Drum Mic Pre-Pack contains: 1 PL 33 kick drum mic 4 PL35 tom/snare mics 2 PL37 condenser overhead/hi-hat mics Rugged gig bag for storage and transport

RE320

Case Material Metal Connector Type 3-pin XLR Diameter (Max) 49.2 mm (1.94") Element Dynamic N/Dym Magnet Structure Finish Semi gloss black Frequency Response 30 - 18,000 Hz (kickcurve), 45 - 18,000 Hz (generic curve) Impedance, Low-Z balanced 150 Ω Mic Type Instrument/Vocal Open Circuit Voltage 2.5 mV/Pascal Polar Pattern Cardioid Power Requirement None Height 216.7 mm (8.53") Weight Net

RE20

Case Material Steel Connector Type 3-pin XLR Diameter (Max) 54 mm (2.13") Element Dynamic Finish Fawn Beige Frequency Response 45 - 18,000 Hz Impedance, Low-Z balanced 150 Ω Mic Type Vocal/Instrument Open Circuit Voltage 1.5 mV/Pascal Polar Pattern Cardioid Power Requirement Passive Height 217 mm (8.54") Weight Net 26 oz (737 g)

PL37

Audio Frequency Response 50 Hz - 16,000 Hz Case Material Die cast zinc Connector Type 3-pin XLR Dynamic Range 107 dB Element Condenser (self-biased) Finish Textured Satin Black Impedance, Low-Z balanced 200 Ω Maximum SPL (1% THD) 132 dB Mic Type Instrument Open Circuit Voltage 6 mV/Pascal Polar Pattern Cardioid Power Requirement 11 to 52 VDC Wired/Wireless Wired Weight Net 6.2

PL35

Audio Frequency Response 50 Hz - 16,000 Hz Case Material Die cast zinc Connector Type 3-pin XLR Element Dynamic Finish Textured Satin Black Impedance, Low-Z balanced 600 Ω Mic Type Instrument Open Circuit Voltage 2.2 mV/Pascal Polar Pattern Supercardioid Power Requirement Passive Wired/Wireless Wired Weight Net 8.32 oz (236 g)

PL33

Audio Frequency Response 20 Hz - 10,000 Hz Case Material Die cast zinc Connector Type 3-pin XLR Element Dynamic Finish Textured Satin Black Impedance, Low-Z balanced 150 Ω Mic Type Instrument Open Circuit Voltage 0.63 mV/Pascal Polar Pattern Supercardioid Power Requirement Passive Shipping Weight 23.7 oz (672 g) Wired/Wireless Wired Weight Net 12.84 oz (364 g)

PL80c

Audio Frequency Response 80 Hz - 16,000 Hz Case Material Die cast zinc Connector Type 3-pin XLR Element Dynamic Finish Textured Satin Black Impedance, Low-Z balanced 600 Ω Mic Type Handheld Open Circuit Voltage 2.2 mV/Pascal Polar Pattern Supercardioid Power Requirement Passive Wired/Wireless Wired Weight Net 11.75 oz (333 g)

PL80a

PL24S

RE200

Case Material Metal Connector Type 3-pin XLR Current Consumption 3.5 mA Diameter (Max) 28 mm (1.1") Element True Condenser Finish Semi-Gloss Camera Black Frequency Response 50 - 18,000 Hz Impedance, Low-Z balanced 200 Ω Maximum SPL (1% THD) 130 dB Mic Type Instrument Open Circuit Voltage 10 mV/Pascal Polar Pattern Cardioid Power Requirement 12 - 52 V Phantom Wired/Wireless

RE510

Case Material Metal Connector Type 3-pin XLR Diameter (Max) 50 mm (1.97") Element Condenser (self-biased) Finish Non-reflecting Black Frequency Response 50 - 20,000 Hz Impedance, Low-Z balanced 150 Ω Maximum SPL (1% THD) 140 dB Mic Type Handheld Open Circuit Voltage 2.5 mV/Pascal Polar Pattern Supercardioid Power Requirement 24 - 52 VDC Phantom Wired/Wireless Wired Height

RE410

Case Material Metal Connector Type 3-pin XLR Diameter (Max) 51 mm (2.01") Element Condenser (self-biased) Finish Non-reflecting Black Frequency Response 50 - 20,000 Hz Impedance, Low-Z balanced 250 Ω Maximum SPL (1% THD) 140 dB Mic Type Handheld Open Circuit Voltage 3.2 mV/Pascal Polar Pattern Cardioid Power Requirement 24 - 48 VDC Phantom Wired/Wireless Wired Height 182&

N/D967

Audio Frequency Response 50 - 13,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 150 Ω Mic Type Handheld Open Circuit Voltage 4 mV/Pascal Polar Pattern Supercardioid Power Requirement Passive Wired/Wireless Wired Height 173 mm (6.81") Weight Net 7.23 oz (205 g)

N/D868

Audio Frequency Response 20 - 10,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 60 mm (2.36") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 150 Ω Mic Type Instrument Open Circuit Voltage 1 mV/Pascal Polar Pattern Cardioid Power Requirement Passive Wired/Wireless Wired Height 133 mm (5.24") Weight Net 10.41 oz (295 g)

N/D767a

Audio Frequency Response 35 - 22,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 300 Ω Mic Type Handheld Open Circuit Voltage 3.1 mV/Pascal Polar Pattern Supercardioid Power Requirement Passive Wired/Wireless Wired Height 181 mm (7.13") Weight Net 9.17 oz (260 g)

N/D478

Audio Frequency Response 45 - 15,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 300 Ω Mic Type Instrument Open Circuit Voltage 2.9 mV/Pascal Polar Pattern Cardioid Power Requirement Passive Wired/Wireless Wired Height 181 mm (7.13") Weight Net 8.71 oz (247 g)

N/D468

Audio Frequency Response 20 - 22,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 150 Ω Mic Type Instrument Open Circuit Voltage 3.1 mV/Pascal Polar Pattern Supercardioid Power Requirement Passive Wired/Wireless Wired Height 115 mm (4.53") Weight Net 6.7 oz (190 g)

N/D367s

Audio Frequency Response 25 - 20,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 300 Ω Mic Type Handheld Open Circuit Voltage 3 mV/Pascal Polar Pattern Supercardioid Wired/Wireless Wired Height 181 mm (7.13") Weight Net 8.4 oz (238 g)

N/D267as

Audio Frequency Response 45 - 15,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 300 Ω Mic Type Handheld Open Circuit Voltage 2.9 mV/Pascal Polar Pattern Cardioid Power Requirement Passive Wired/Wireless Wired Height 181 mm (7.13") Weight Net 8.4 oz (238 g)

N/D267a

Audio Frequency Response 45 - 15,000 Hz Case Material Metal Connector Type 3-pin XLR Diameter (Max) 52 mm (2.05") Element Dynamic Finish Non-reflecting Black Impedance, Low-Z balanced 300 Ω Mic Type Handheld Open Circuit Voltage 2.9 mV/Pascal Polar Pattern Cardioid Power Requirement Passive Wired/Wireless Wired Height 181 mm (7.13") Weight Net 8.4 oz (238 g)

PL-12

GR2 Specific Intelligent Wall Plate I.R.. Remote and source selection

GR2

• 6 mic/line inputs with EQ• 3 (or 4) stereo music inputs• Paging and music priority override• Mono and stereo zone outputs• Mono aux output• Remote control• Configuration protection

GR05ST

• 2 mic inputs• 3 stereo inputs• 4 XLR outputs• Routing Matrix• Remote Control• Ducking• Expandable• Lock out system• Internal power supply

GR05

• 2 mic inputs• 3 stereo inputs• 4 XLR outputs• Routing Matrix• Remote Control• Ducking• Expandable• Lock out system• Internal power supply

PA28

PA28 24 Mono 2 Stereo

PA20

PA20 16 Mono 2 Stereo

PA12

PA12 8 Mono 2 Stereo

PA20-CP

PA20-CP 16 Mono 2 Stereo 2 X 500W Powered Mixer

PA12-CP

PA12-CP 8 Mono Stereo Rack Mount 2 X 500W Powered Mixer

XB-14

• Audition/clean feed bus• 3-band EQ on mono channels• 4 mic/line and 4 stereo channels• 2-band EQ on Telco/stereo channels• 2 stage, padless pre-amp design• Fader start sensing on mono channels• Start/cue logic on stereo channel switches• 2 Telco telephone communication channels• USB connectivity to interface with PC/MAC• Separate headphones mix for engineer/producer and 2 guests• Vertically-mounted PCB construction with nutted rotary pots&

XB-10

3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recordin

RPS15

RPS-15 Power Supply Unit for both GS-R24 models

GS-R24M

GS-R24M Mixer/DAW Controller with Motorised Faders 24 mic/line input pre-amps 24 channels of 4 band EQ with fully parametric mids Choice of analogue or Firewire / ADAT interface modules* 2 dual stereo inputs with EQ 2 additional valve inputs 6 auxes 4 subgroups Main Stereo + Mono bus PFL, AFL + Solo in Place MIDI control 5.1 surround monitoring Integral meterbridge RPS15 external linear power supply* *Interface modules and the RPS15 power supply are purchased separately.

GS-R24

24 mic/line input pre-amps 24 channels of 4 band EQ with fully parametric mids Choice of analogue or Firewire / ADAT interface modules* 2 dual stereo inputs with EQ 2 additional valve inputs 6 auxes 4 subgroups Main Stereo + Mono bus PFL, AFL + Solo in Place MIDI control 5.1 surround monitoring Integral meterbridge RPS15 external linear power supply* *Interface modules and the RPS15 power supply are purchased separately.

IPS10

2U 19” rack-mount redundant switch-mode power supply. Compatible with all iLive modular surfaces (iLive80, iLive112, iLive114 and iLive176), the iDR0 MixRack, the XDR-16 expander and all fixed format MixRacks (iDR-16, iDR-32, iDR-48 and iDR-64).

XONE:XD40

Type: Closed-back Dynamic (circumaural isolation design) Driver Diameter: 40mm Magnet: Neodymium Frequency response: 15Hz - 28kHz Maximum Input Power: 1300 mW Sensitivity: 103dB/mW at 1kHz Impedance: 48 ohms Weight: 230 g (approximately) Cable: 1.2m (Coiled) / Max.3.0 m (OFC) Earpiece swivel +/-90 deg

XONE:PB

• Two switchable inverse RIAA filters, enabling line level sources to be connected to the phono preamplifiers of the mixer • Common mode noise attenuation filtering on all external inputs to help reduce laptop power supply noise • Earth lift switch to help prevent ground loops 1U rack size

XONE:XD20

Rugged high performance in-ear headphones Driver Diameter: 13.6mm Acoustic seal for outstanding sound isolation Includes S/M/L earpieces Specifications: Type: Closed back Dynamic Driver Diameter: Ø13.6mm Frequency Response: 20~20,000Hz Maximum Input Power: 100mW Sensitivity: 105dB/mW Impedance: 17ohms Weight: 12g Cable: 1.2m (Y-Type)

XONE:XD2-53

Features · Designed to excel in high noise DJ booth environments· Touring grade build quality, including metal reinforced headband· 53mm diameter drivers with high power neodymium magnet design· Detachable coiled cable with 3.5mm connector and ¼” jack adaptor· Rotating earpieces for easy one-ear monitoring· Folding design for portability· Carry pouch included Specifications: Type: Closed-

XONE:2D

Soundcard: 96kHz 24-bit audio transfer Interface to any digital source up to 192kHz 9 stereo channels – 5 (4 analogue,1 digital) inputs/4 (3 analogue, 1 digital) returns SPDIF input and output on optical and coax MIDI Controller: Total of 87 mappable MIDI control messages Shift mode function for double layer Compatible with any PC software that has MIDI assignable functions 4 linear 60mm faders 4 linear 60mm faders 8 detented rotary pots 4 illuminated push switches 5 rot

XONE:4D

Mixer: • 4 multi-input stereo channels• Switchable phono or line input stages, RIAA preamps on 3 channels• Soundcard output routing switches for each channel• 3-band total kill EQ +6dB to off• 2 FX sends, FX1 with pre/post selection• 2 analogue VCF filters - low, band & high-pass, resonance, frequency and ‘on’ switch• 2

XONE:S2-R

4 stereo music channels 2 Mic inputs with inserts (switchable to line) Output Limiter system USB audio send/return Xone Filter system 3 Band Total Kill EQ (+6dB/Off) Remote control Zone feed Alarm Interface Tamper proof input level trims Master Insert point Booth output Mono Feed with Sub-bass filter Front panel Auxiliary stereo input Linear or Rotary faders

XONE:S2

XONE2:02

4 inputs on 2 dual source stereo channels 1 stereo source switchable between line and RIAA phono input Balanced XLR main mix output with VCA master level control 2 mic inputs on XLR with vocal EQ, FX in/out and independent level control 3-band EQ with +6dB boost and -26dB cut External FX loop with silent FET-switching VCA PAN controls to adjust LR balance or for performance effect Rotatable transform switches for stutter FX VCA crossfader and channel faders with contour control and rev

XONE:02

XONE:22

2 stereo channels with configurable dual phono/line inputs VCF system - low-pass and high-pass filters, frequency and resonance controls 3-band full cut EQ Soft-switched external FX loop 18dB pro standard headroom and low audio distortion Main mix output on balanced XLR, 25dBu maximum output level Signal monitoring with 10-segment LED meters and meter mode selection Cue mix control, and cue to master switch Dedicated local monitor output (booth output) Record output MIC input on bala

XONE:42

4 dual stereo channels (2 phono/line, 2 line/line) 3 band EQ +6dB to total kill Rotary X-FX control for routing to external FX VCF filter with resonance & frequency controls VCA Crossfader with curve control Mix ouputs on balanced XLR 9 segment channel meters Illuminated lightpipes showing status of performance controls USB port with one stereo up to PC and one stereo back Independent booth output XLR microphone input with 2-band EQ and level control 2 headphone outputs (1/4&rdq

XONE:62

6 dual stereo inputs, 2 with mic inputs Stereo aux send with pre/post switching VCF system - 2 independent stereo filters with frequency and resonance controls 4-band EQ with +6dB and -26dB cut P&G easy change professional VCA crossfader Monitor section - independent per-channel cue selection, split cue and aux Mix outputs on balanced XLR Independent booth output Stereo recording output Desk, custom rack or 19” rack mount High performance internal switch-mode power supply

XONE:92-R

6 dual stereo channels - 4 phono/line, 2 mono/mic or stereo return 2 independent stereo mix outputs 2 aux sends for output to external FX units VCF system - 2 independent stereo filters with frequency and resonance controls 2 independent LFO’s for filter manipulation 4-band EQ - total kill on HF and LF, wide Q for cut, narrow Q for boost Booth output - dedicated output on TRS jack MIDI values can be output from 6 controls (e.g. crossfader, LFO) P&G easy change professional VC

XONE:92

XONE:464

4 fully-featured mono/mic performance channels with 100mm faders 6 dual stereo channels with RCA and TRS sources on each channel 2 independent outputs on XLR or TRS, with full metering 6 aux sends from every channel for monitors or FX sends 4 stereo, 2 mono zone outputs with rotary control VCF system - 2 independent stereo filters with frequency and resonance control 4-band EQ with +6dB and -26dB cut 2 headphone outputs, split cue, mono sum button, booth output P&G easy change prof

XONE:K2

XONE:K2 DJ MIDI Controller/52 hardware controls providing up to 171 MIDI commands

XONE:DB2

XONE:DB2 Digital DJ FX Mixer with Two FX Engines

XONE:DB4

XONE:DB4 Digital DJ FX Mixer with Four FX Engines

GLD-AR84

8 XLR Inputs - 4 XLR Outputs : Expander AudioRack for GLD system

GLD-AR2412

24 XLR Inputs - 12 XLR Outputs : Main AudioRack for GLD standard system

GLD-80

• Compact digital mixer with scalable, remote I/O• Systems from 4 to 44 mics• Easy to use, quick to access, analogue style interface• dSNAKE Cat5 digital snake—up to 120m cable length• 8.4 inch colour touchscreen for graphical view and setup• 20 faders, 4 layers, 80 channel strips in a freely customizable layout• 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs• 8 stereo RackFX engines with dedicated

GL2800-48

• 24, 32, 40 and 48 channel frames• LR and M main mixes• 8 Audio groups with pan and routing to LR and M• 10 Auxes including a dedicated stereo send• 2 multifunction stereo channels each with mic and stereo line inputs• 2 extra dual stereos provide 4 summed or independent stereo returns• Fully featured 12x4 Matrix• Proper dual functionality for FoH/Monitor mixing• Recording capable with channel direct outputs• M can be used for centre/sub mix, LR

GL2800-40

GL2800-32

GL2800-24

GL2400-40

• 16, 24, 32, 40 channel frames• LR and M main outputs• 4 Audio groups with pan control• 6 Auxiliary sends with per-channel pre/post fader switching• 2 stereo channels, each with mic and dual stereo line inputs• 7x4 Matrix• Proper dual functionality for FoH and/or Monitor mixing• M can be configured as LR sum, Wedge, or Aux-Fed Sub or C master• Recording capable with channel direct outputs• Matrix external inputs with level trims and common input

GL2400-32

GL2400-24

GL2400-16

ZED-R16

16 Channel Recording Mixer with FireWire and Sonar X1 L.E. Software

ZED-436

32 mono channels 2 dual stereo inputs with 4-band EQ Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 4-band EQ with 2 swept mids and in/out switch Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 6 auxiliary sends (2 pre, 2 post, 2 pre/post) 4 sub groups fed from each channel All inputs with level control 12 bar meters L, R and M main mix outputs 2 matrix sections available;

ZED-428

24 mono channels 2 dual stereo inputs with 4-band EQ Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 4-band EQ with 2 swept mids and in/out switch Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 6 auxiliary sends (2 pre, 2 post, 2 pre/post) 4 sub groups fed from each channel All inputs with level control 12 bar meters L, R and M main mix outputs 2 matrix sections available;

ZED-420

16 mono channels 2 dual stereo inputs with 4-band EQ Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 4-band EQ with 2 swept mids and in/out switch Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 6 auxiliary sends (2 pre, 2 post, 2 pre/post) 4 sub groups fed from each channel All inputs with level control 12 bar meters L, R and M main mix outputs 2 matrix sections available;

ZED-24

16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Conf

ZED-18

• 10 mono channels• Neutrik mic XLR• Neutrik 1/4 inch jacks• Channel insert• Super wide gain ‘DuoPre’ mic line input• 3 band EQ with MusiQ• 4 auxes• Illuminated mute• Sound image pan• Illuminated PFL & peak warning indicator• ALPS

ZED-14

6 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1&2 Monitor output section Alt stereo output source Configurabl

ZED-10

4 mic/line inputs, 2 with Class A FET high impedance inputs Neutrik mic XLR Neutrik 1/4 inch jacks 3 band EQ with MusiQ 2 auxes Sound image pan Illuminated PFL indicator Stereo returns & playback All inputs with level control 12 bar meters Responsive 3-band, swept mid EQ with MusiQ 2 stereo sources with MP3 player compatibility Separate 2-track record outputs Stereo playback input for 2-track replay XLR main stereo outputs with inserts Comprehensive monitoring Configurable

ZED-22FX

16 mono channels 16 internal time-delay effects Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 2 pre-fade Aux sends 1 post-fade Aux send 1 internal FX send Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns & playback All inputs with level control 12 bar meters Mono/s

ZED-16FX

• 10 mono mic/line inputs• 3 stereo channels with 2-band EQ• 16 internal time-delay effects• Neutrik mic XLRs• Neutrik 1/4 inch jacks• Channel insert• Super wide gain DuoPreTM mic line input• 3 band EQ with MusiQ• 2 pre-fade Aux sends• 1 post-fade Aux se

ZED-12FX

6 mono channels 3 stereo channels with 2-band EQ and inputs for extra sources 16 internal time-delay effects Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain ‘DuoPre’ mic line input 3 band EQ with MusiQ 2 pre-fade Aux sends 1 post-fade Aux send 1 internal FX send Illuminated mute Sound image pan Illuminated PFL & peak warning indicator ALPS 100mm faders Stereo returns & playback All inputs with level control 12 bar meters M

ZED60-14FX

8 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

ZED60-10FX

4 mic/line inputs, 2 with Class A FET high impedance 60mm professional quality faders Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out 1 pre-fade Aux send 1 FX send 2 stereo inputs Separate 2-track record outputs 16 Internal Effects XLR main stereo outputs with inserts Comprehensive monitoring 48V microphone phantom power DI level switching with Gain Boost Neutrik XLRs and 1/4 inch jacks

ZED-10FX

4 mic/line inputs, 2 with Class A FET high impedance inputs Neutrik mic XLR Neutrik 1/4 inch jacks 3 band EQ with MusiQ 1 pre-fade Aux send 1 FX send Sound image pan Illuminated PFL indicator Stereo returns & playback All inputs with level control 12 bar meters Responsive 3-band, swept mid EQ with MusiQ 2 stereo sources with MP3 player compatibility Separate 2-track record outputs Stereo playback input for 2-track replay XLR main stereo outputs with inserts Comprehensive mo

DLM12S

2000W power via ultra-efficient Class-D amplification High-power 12″, heat-treated woofer with 3″ voice coil Ultra-low frequency extension hits hard down to 35 Hz DLP Digital Processor Powerful, one-touch digital processor with bright OLED screen Precision digital crossover Presets for use with DLM and SRM Series full-range loudspeakers Variable crossover control for optimization with any loudspeaker Six total XLR connects for flexible I/O control

DLM12

2000W power via ultra-efficient Class-D amplification TruSource™ Technology Mackie designed, vertically-aligned, common-magnet TruSource driver 12″ LF woofer / 1.75″ HF compression driver Incredibly compact, lightweight design Powerful TruSource DSP delivers seamless clarity, consistent coverage and unmatched fidelity DL2 Integrated Digital Mixer Powerful, one-touch digital mixer with bright OLED screen Two highly-versatile input channels with FX Independ

DLM8

2000W power via ultra-efficient Class-D amplification TruSource™ Technology Mackie designed, vertically-aligned, common-magnet TruSource driver 8″ LF woofer / 1.75″ HF compression driver Incredibly compact, lightweight design Powerful TruSource DSP delivers seamless clarity, consistent dispersion and unmatched fidelity DL2 Integrated Digital Mixer Powerful, one-touch digital mixer with bright OLED screen Two highly-versatile input channels with FX Indepen

MCU Extender Pro

FEATURES • Proprietary Mackie communication protocol for seamless music production software integration • 100mm touch-sensitive Alps motorized faders • V-Pot control over software, plug-in effects and virtual instruments • More than 50 dedicated push-buttons for fine control of software parameters • Tape-style transport controls • Full meter display with track

MCU Pro

Onyx Blackbird

FEATURES • Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range • High-headroom design with ultra-low noise and distortion • Professional 16x16 24-bit/96kHz recording/playback » Flexible FireWire routing » 8x8 ADAT I/O for ultimate expandability » Onboard wordclock I/O for studio and live integration » Acclaimed JetPLL&t

Onyx Blackjack

FEATURES • Two boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range • High-headroom design with ultra-low noise and distortion • Professional 24-bit recording/playback via 2x2 USB • High-end Cirrus Logic® AD/DA converters with 114dB dynamic range (A-weighted) • True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency reco

Big Knob

FEATURES • Tabletop level control / monitor switcher / source selector & talkback box • Big, convenient volume knob for precise level adjustments • Switch amongst 3 sets of studio monitors • Built-in Talkback microphone for easy communication with musicians • Monitor 4 independent Stereo inputs including one for your turntable • Dual Headphone outputs with

HR824mk2

High resolution Active studio reference monitor Ultra-linear frequency response for accurate mix translation 8.75-inch high-precision, low-distortion LF transducer 1-inch titanium dome, ferrofluid cooled tweeter Optimized Waveguide for wide, even sweet zone Twin FR Series amps — 150W for LF / 100W for HF Cast aluminum Zero Edge Baffle™ minimizes diffraction Full internal damping eliminates midrange artifacts Passive radiator provides tight, articulate bass extension down to

HR624mk2

High resolution Active studio reference monitor Ultra-linear frequency response for accurate mix translation 6.7-inch high-precision, low-distortion LF transducer 1-inch titanium dome, ferrofluid cooled tweeter Optimized Waveguide for wide, even sweet zone Twin FR Series amps — 100W for LF / 40W for HF Cast aluminum Zero Edge Baffle™ minimizes diffraction Full internal damping eliminates midrange artifacts Passive radiator provides tight, articulate bass extension down to 4

MR8mk2

MR8mk2 FEATURES • High-resolution, powered studio reference monitor • Ultra low-distortion 8" woofer • High-output 1" silk dome tweeter • Precision Class A/B amplification with Active protection circuits: 100W for LF / 50W for HF • Optimally-sized custom waveguide provides seamless transition of HF and LF • Minimum-diffraction molded baffle imparts superior st

MR5mk2

MR5mk2 FEATURES • High-resolution, powered studio reference monitor • Ultra low-distortion 5.25" woofer • High-output 1˝ silk dome tweeter • Precision Class A/B amplification with Active protection circuits: 55W for LF / 30W for HF • Optimally-sized custom waveguide provides seamless transition of HF and LF • Minimum-diffraction molded baffle imparts supe

PPM1012

FEATURES • Full-featured 12-Channel, 1600W Powered Desktop Mixer with 4-segment LEDs and solo PFL on every channel • 800W + 800W Mackie designed Class-D, Fast Recovery™ power amplifiers • 32-bit dual RMFX+™ processor featuring 24 “Gig Ready”, useable reverbs, choruses, and tap delay for live applications • 8 mic/line mono inputs and 2 stereo line inputs for flexible connect

PPM1008

FEATURES • Full-featured 8-channel, 1600W, ultra-light Professional Powered Mixer with onboard 32-bit digital RMFX+™ processor • 800W + 800W Mackie designed Class-D, Fast Recovery™ power amplifiers • 32-bit RMFX+™ processor featuring 24 “Gig Ready”, useable reverbs, choruses, and tap delay for live applications • 8 premium Mackie mic preamps with 48V phantom power and

PPM608

FEATURES • Full-featured 8-channel, 1000W, ultra-light Professional Powered Mixer with onboard 32-bit digital RMFX+™ processor • 500W + 500W Mackie designed Class-D, Fast Recovery™ power amplifiers • 32-bit RMFX+™ processor featuring 24 “Gig Ready” reverbs, choruses, and tap delay for live applications • 8 premium Mackie mic preamps with 48V phantom power and TRS inse

Onyx 32.4

FEATURES • 32-channel / 4-bus premium analog mixer designed for live sound • Onyx microphone preamps with class-leading fidelity and dynamic range on every channel • 4-band Perkins EQ on every channel for warm, musical sound • 6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc. • Built-in assignable stereo compressor/limiter designed by THAT® corpora

Onyx 24.4

FEATURES • 24-channel / 4-bus premium analog mixer designed for live sound • Onyx microphone preamps with class-leading fidelity and dynamic range on every channel • 4-band Perkins EQ on every channel for warm, musical sound • 6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc. • Built-in assignable stereo compressor/limiter designed by THAT® corpora

Onyx 1640i

FEATURES • 16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O • Compatible with all major DAWs, including: » Pro Tools® » Logic® » SONAR™ » Cubase® » Ableton® Live » Final Cut Pro® • 16 Onyx boutique-quality mic preamps • 4-band Perkins EQ with sweepable mi

Onyx 1620i

FEATURES • 16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O • Compatible with all major DAWs, including: » Pro Tools® » Logic® » SONAR™ » Cubase® » Ableton® Live » Final Cut Pro® • 8 Onyx boutique-quality mic preamps • 4-band Perkins EQ with sweepable mid

Onyx 1220i

FEATURES • 12-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O • Compatible with all major DAWs, including: » Pro Tools® » Logic® » SONAR™ » Cubase® » Ableton® Live » Final Cut Pro® • 4 Onyx boutique-quality mic preamps • 3-band Perkins EQ with sweepable mid

Onyx 820i

FEATURES • 8-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O • Compatible with all major DAWs, including: » Pro Tools® » Logic® » SONAR™ » Cubase® » Ableton® Live » Final Cut Pro® • 3 Onyx boutique-quality mic preamps • 3-band Perkins EQ with sweepable mids

3204-VLZ3

FEATURES • 32-channel 4-bus mixer with proven VLZ3 low-noise, high-headroom design • 28 studio-grade XDR2™ mic preamps • 130dB dynamic range • Distortion under 0.0007% (20Hz – 20kHz) • Phantom power for studio condenser mics • 4 subgroups, featuring dedicated compressors for total dynamic control • Dedicated inline channel co

2404-VLZ3

FEATURES • 24-channel 4-bus mixer with proven VLZ3 low-noise, high-headroom design • 20 studio-grade XDR2™ mic preamps - 130dB dynamic range - Distortion under 0.0007% (20Hz – 20kHz) - Phantom power for studio condenser mics • 4 subgroups, featuring dedicated compressors for total dynamic control • Dedicated inline channel compression

1604-VLZ3

FEATURES • New ultra-low noise VLZ3 design with highest possible headroom • 16 studio-grade XDR2™ Extended Dynamic Range mic preamps with:- Ultra-wide 60dB gain range- 130dB dynamic range- +22dBu line input handling- Extended low frequency response- Distortion under 0.0007% (20Hz - 20kHz)- Phantom power for studio condenser mics • 16 high-headroom line inputs, 16 channel inserts • Advanced D

1642-VLZ3

FEATURES • New ultra-low noise VLZ3 design with highest possible headroom • 10 studio-grade XDR2™ Extended Dynamic Range mic preamps with:- Ultra-wide 60dB gain range- 130dB dynamic range- +22dBu line input handling- Extended low frequency response- Distortion under 0.0007% THD (20Hz - 20kHz)- Phantom power for studio condenser mics • 16 high-headroom line inputs (4 stereo pairs, 8 mono) • A

1402-VLZ3

FEATURES • New ultra-low noise VLZ3 design with highest possible headroom • 6 studio-grade XDR2™ Extended Dynamic Range mic preamps with:- o Ultra-wide 60dB gain range- o 130dB dynamic range- o +22dBu line input handling- o Extended low frequency response- o Distortion under 0.0007% (20Hz - 20kHz)- o Phantom power for studio condenser mics • 14 high-headroom line inputs • Advanced DC pulse t

1202-VLZ3

FEATURES • New ultra-low noise VLZ3 design with highest possible headroom • 4 studio-grade XDR2™ Extended Dynamic Range mic preamps with:- Ultra-wide 60dB gain range- 130dB dynamic range- +22dBu line input handling- Extended low frequency response- Distortion under 0.0007% (20Hz - 20kHz)- Phantom power for studio condenser mics • 12 high-headroom line inputs • Advanced DC pulse transformer R

802-VLZ3

FEATURES • Ultra-compact 8-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design • 3 studio-grade XDR2™ Extended Dynamic Range mic preamps with:- Ultra-wide 60dB gain range- 130dB dynamic range- +22dBu line input handling- Extended low frequency response- Distortion under 0.0007% (20Hz - 20kHz)- Phantom power for studio condenser mics • 8 high-headroom line inputs &bull

402-VLZ3

FEATURES • Ultra-compact 4-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design • 2 studio-grade XDR2™ Extended Dynamic Range mic preamps with:- Ultra-wide 60dB gain range- 130dB dynamic range- +22dBu line input handling- Extended low frequency response- Distortion under 0.0007% (20Hz - 20kHz)- Phantom power for studio condenser mics • 4 high-headroom line inputs &bull

ProFX22

FEATURES • Professional 22-channel 4-bus mixer with onboard effects and USB I/O • 16 low-noise, high-headroom Mackie mic preamps with +50dB gain range • Dedicated inline compression for critical inputs (ch. 11-14) • 32-bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays • Precision 7-band graphic EQ for tuning mains and monitors •

ProFX16

FEATURES • Professional 16-channel 4-bus mixer with onboard effects and USB I/O • 10 low-noise, high-headroom Mackie mic preamps with +50dB gain range • Dedicated inline compression for critical inputs (ch. 5-8) • 32-bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays • Precision 7-band graphic EQ for tuning mains and monitors •

ProFX12

FEATURES • Professional 12-channel Compact Mixer with onboard effects and USB I/O • 6 low-noise, high-headroom Mackie mic preamps with easy LED metering • 32-bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays • Precision 7-band graphic EQ for tuning Mains or Monitors • USB I/O for recording shows and music playback via Mac or PC &bull

ProFX8

FEATURES • Professional 8-channel Compact Mixer with onboard effects and USB I/O • 4 low-noise, high-headroom Mackie mic preamps with easy LED metering • 32-bit RMFX™ processor with 16 “Gig-Ready” reverbs, choruses and delays • Precision 7-band graphic EQ for tuning Mains or Monitors • USB I/O for recording shows and music playback via Mac or PC •

DL1608

C300z

FEATURES • Portable Precision Passive loudspeaker with 1.75" HF compression driver and 12" LF transducer • HF compression driver mounted on a multi-celled aperture, with a constant directivity horn for room-wide 90° x 45° dispersion • Precise reproduction of critical upper mid-range and high frequencies • Tough, impact-resistant enclosure with sturdy handles, pole-mount, and integrated rig

C200

FEATURES • Portable Precision Passive loudspeaker with high-precision 1.4" HF titanium compression driver and 10" LF transducer • Wide, even dispersion pattern means everyone in the audience hears great sound • Asymmetrical cabinet design for best acoustical response • Integrated low-impedance compensated crossover and transducer protection • Tough, impact-resistant enclosure wi

HD1801

FEATURES 1600W of ultra-efficient Class-D Fast Recovery™ amplification » 800W RMS / 1600W peak power » 133 dB SPL max output (peak @ 1m) » 35 Hz to 145 Hz operating range 18” high-output woofer with 4” voice coil Active electronics provide complete system optimization » Symmetrical Linkwitz-Riley crossover (100Hz, 24dB/octave) » Precision tuning filters for ultra-accurate bass reproduction » Ph

HD1501

FEATURES 1200W of ultra-efficient Class-D Fast Recovery™ amplification » 600W RMS / 1200W peak power » 131 dB SPL max output (peak @ 1m) » 36 Hz - 145 Hz operating range 15" high-output woofer with 3" voice coil Active electronics provide complete system optimization » Symmetrical Linkwitz-Riley crossover (100Hz, 24dB/octave) » Precision tuning filters for ultra-accurate bass reproduction » Phase alignment

HDA

FEATURES • 110° x 20° constant curvature line array » Scalable and arrayable with a multitude of configuration options » Maximum flown system supports up to 4 x HDA and 2 x HD1801 subwoofers » Ground stack up to 3 x HDA on HD1801 subwoofer or flybar » Pole mount up to 2 x HDA on HD1801 subwoofer or tripod using dual angle pole cups • 1200W of ultra-effic

HD1531

FEATURES • 1800W of ultra-efficient Class-D Fast Recovery™ amplification » LF 700W RMS / 1400W peak» MF 100W RMS / 200W peak» HF 100W RMS / 200W peak • High-definition audio processing: » Revolutionary patented acoustic correction » Transducer time alignment and phase correction » Precision 3-way crossover • Custom d

HD1521

FEATURES • 1600W of ultra-efficient Class-D Fast Recovery™ amplification » LF 700W RMS / 1400W peak» HF 100W RMS / 200W peak • High-definition audio processing: » Revolutionary patented acoustic correction » Transducer time alignment and phase correction » Precision 2-way crossover • Custom designed transducers by EAW

HD1221

FEATURES • 1200W of ultra-efficient Class-D Fast Recovery™ amplification » LF 500W RMS / 1000W peak » HF 100W RMS / 200W peak • High-definition digital processing includes : » Revolutionary patented acoustic correction » Transducer time alignment and phase correction » Precision 2-way crossover • Custom designed

SRM1801

FEATURES • 1000W of ultra-efficient Class-D Fast Recovery™ amplification • Mackie Active electronics provide total system optimization • Precision crossover (125Hz) • Tuning filters for accurate bass response • 18-inch woofer delivers superior output and low-frequency extension (aka Thump) • Dual XLR inputs for mono or stereo applications

SRM450V2

FEATURES • 2-way bi-amplified, optimized Active loudspeaker system • High-output precision titanium compression driver • 12" lightweight long-throw low frequency transducer with 3-inch voice coil • Servo Feedback controlled woofer for tight low-end punch • 300W class-D, Fast Recovery LF amp / 100W HF amp • Ultra-wide, smooth dispersion via multi-cell horn aper

SRM350V2

FEATURES • 2-way bi-amplified, optimized Active loudspeaker system • High-output, titanium dome compression driver • 10″ lightweight long-throw low frequency transducer • 165W class-D, Fast Recovery LF amp / 30W HF amp • Ultra-wide, smooth dispersion via HF waveguide • Built-in phase accurate 24dB Linkwitz-Riley electronic crossover •

SRM150

FEATURES • Extremely portable active loudspeaker system • Built-in Mackie mixer for superior sound quality with: 3-channel mixer with 3-band active EQ Two high-headroom Mackie Mic/line preamps with 48V phantom power Instrument-ready input (no DI required) Dedicated stereo channel for keyboards, CD, MP3, iPods, etc. Combo "line in" for linking or adding inputs XLR "thru" with mic/line switch for linking more SRM150s or direct s

TH-15A

FEATURES • 400W of ultra-efficient Fast Recovery™ amplification • LF 300W peak power (Class-D) • HF 100W peak power (Class A/B) • High-output transducers • 12" or 15" high-precision woofer • 1” compression driver • Mackie Active electronics provide total system optimization • Precision 2-way cro

TH-12A

aSK 18SB

aSK18SB 18’’ Subwoofer Power Handling: 600 Watt Music / 1200 Watt Peak RMS power ratings certified and tested using the IEC 268 torture test Long-throw Black Morie Paper woofers give excellent bass "thump" Stability bracing system increases structural strength Input and Output: Parallel ¼" and Speakon connectors Thick 1.3mm grille to withstand the bumps and bruises of the road Metal handles and pole mounts are exceptionally ergonomic and virtually indestructible

aSK 215

aSK215 Dual 15” Passive 2-way Stage Speaker Power Handling: 800 Watt Music / 1600 Watt Peak New 1.35’’ pure titanium compression tweeter and Phonic’s Wing-Guide™ horn deliver smooth, transient highs beyond 20kHz New long-throw Black Morie Paper woofer gives excellent bass “thump” Wide 90°x70° dispersion angle Stability bracing system increases structural strength Input and Output: Parallel ¼’’ jacks Pro-grade 1.3mm

aSK 15

aSK15 Passive 2-way Stage Speaker / Floor Monitor Power Handling: 400Watt Music / 800Watt Peak New 1.35’’ pure titanium compression tweeter and Phonic’s Wing-Guide™ horn deliver smooth, transient highs beyond 20kHz New long-throw Black Morie Paper woofer gives excellent bass “thump” Wide 90°x70° dispersion angle Stability bracing system increases structural strength Input and Output: Parallel ¼’’ jacks Serves as 45° s

aSK 12

aSK12 12’’ 2-Way Stage Speaker / Floor Monitor Power handling: 150W RMS Quality 12" woofer matched with 1" tweeter Frequency response between 55Hz and 20kHz ¼” phone jack connectors for input and output Pole mount for speaker stands Integrated handle for easy mobility A-grade MDFB construction with thick protective carpeting finish

aSK 10

aSK10 Passive 2-Way Stage Speaker / Floor Monitor Power Handling: 200Watt Music / 400Watt Peak RMS power ratings certified and tested using the IEC 268 torture test New compression tweeter paired with Phonic's proprietary Wing-Guide™ horn delivers smooth, transient highs beyond 20kHz Wide 90°x70° dispersion angle Long-throw Black Morie Paper woofers give excellent bass "thump" Stability bracing system increases structural strength Input and Output: Parallel ¼" ja

iSK 18SB

iSK18SB 18’’ Subwoofer Power Handling: 1000 Watt Music / 2000 Watt Peak New long-throw composite (paper/fiber) woofer for deep low frequency extension Thick 20mm Grade-A MDF body with stability bracing increases structural strength Input and Output: Professional Speakon connectors Thick 1.6mm foamed grille Metal handles and pole mount are ergonomic and virtually indestructible

iSK 215

iSK215 1400W Dual 15’’ Passive 2-way Stage Speaker Power Handling: 1400 Watt Music / 2800 Watt Peak New 1.8’’ pure titanium compression tweeter and Phonic’s Wing-Guide™ horn deliver transient highs beyond 22kHz New long-throw composite (paper/fiber) woofer for deep low frequency extension Thick 20mm Grade-A MDF body with stability bracing increases structural strength Wide 90°x70° dispersion angle Input and Output: Professional Speakon conne

iSK 15

iSK15 700W 15’’ Passive 2-way Stage Speaker / Floor Monitor Power Handling: 700Watt Music / 1400Watt Peak New 1.8’’ pure titanium compression tweeter and Phonic’s Wing-Guide™ horn deliver transient highs beyond 22kHz New long-throw composite (paper/fiber) woofer for deep low frequency extension Thick 20mm Grade-A MDF body with stability bracing increases structural strength Wide 90°x70° dispersion angle Serves as 45° floor monitor when p

iSK12

iSK12 700W 12’’ Passive 2-way Stage Speaker / Floor Monitor Power Handling: 700 Watt Music / 1400 Watt Peak New 1.8’’ pure titanium compression tweeter and Phonic’s Wing-Guide™ horn deliver transient highs beyond 22kHz New long-throw composite (paper/fiber) woofer for deep low frequency extension Thick 20mm Grade-A MDF body with stability bracing increases structural strength Wide 90°x70° dispersion angle Serves as 45°floor monitor when

ER-K12

ER-K12 Rack Mounting Kits

DB3

DB3 Transformer Balanced Direct Box Professional, multi-functional DI box for all live and studio applications Ultra-flat frequency response Rugged metal housing with tough rubber corners for protection Internal battery automatically de-couples when using phantom power Low noise op amps for superior sound Gold-plated XLR connectors and phone jacks for input and link output

SK2

SK2 Deluxe Speaker Stand Package Two Phonic microphone stands Two Phonic speaker stands Custom carry bag

DM.680

DM.680 Dynamic Microphone Wide frequency response delivers articulate and transparent performance in live and studio settings Rugged construction: Built with a thick cast alloy body and steel mesh - True “work horse” Neodymium magnet maximizes sensitivity and resolution: Cut through the mix with ease Minimal handling noise: Shock-dampening cartridge design and thick alloy body eliminates handling noise Cardioid pattern and 360° wind / pop filter delivers smooth off-axis

DM.690

DM.690 Dynamic Microphone Wide frequency response delivers articulate and transparent performance in live and studio settings Rugged construction: Built with a thick cast alloy body and steel mesh - True “work horse” Neodymium magnet maximizes sensitivity and resolution: Cut through the mix with ease Minimal handling noise: Shock-dampening cartridge design and thick alloy body eliminates handling noise Cardioid pattern and 360° wind / pop filter delivers smooth off-axis

DM.700

DM.700 Dynamic Microphone Wide frequency response delivers articulate and transparent performance in live and studio settings Rugged construction: Built with a thick cast alloy body and steel mesh - True “work horse” Neodymium magnet maximizes sensitivity and resolution: Cut through the mix with ease Minimal handling noise: Shock-dampening cartridge design and thick alloy body eliminates handling noise Cardioid pattern and 360° wind / pop filter delivers smooth off-axis

Inception 12A

Inception 12A 1100W 12" Active 2-Way Speaker 550 Watt RMS/1100 Watt Peak bi-amplified system Bi-amplified design with both D and AB class technology employed 1.75’’ pure titanium compression tweeter reveals acoustic details beyond 20kHz 12’’ long-throw composite woofer for exceptional low frequency extension 131 dB maximum sound pressure level Exceptionally flat frequency response between 45Hz and 20kHz 75° conical dispersion Three M-10 fly points for i

VERSATAP 50

Versatap 50 6-1/2" Molded Speaker with Transformer Power capacity: 50W (8 Ohm) Sensitivity: 90 dB SPL @ 1W / 1M Frequency response: 120 Hz ~ 20 kHz / 75 Hz ~ 20 kHz 6 1/5" poly carbon woofer and 1" soft dome Built-in 70.7 V transformer with four tap positions (2.5, 5, 10, 20W) and 8 Ohm bypass Compact and light weight Moisture resistant Aluminum enclosure, available in both black and white U-mount bracket included

VERSATAP 30

Versatap 30 4" 2-Way Speaker with Transformer Power capacity: 30W (8 Ohm) Sensitivity: 84 dB SPL @ 1W / 1M Frequency response: 120 Hz ~ 20 kHz / 75 Hz ~ 20 kHz 4" poly carbon woofer and 1" soft dome Built-in 70.7 V transformer with 4 tap positions (2, 4, 8, 16W) and 8 ohm bypass Compact and lightweight Moisture resistant Aluminum enclosure, available in both black and white U-mount bracket included

SEp207

SEp 207 Powered 6 1/2" 2-Way Molded Speaker Built-in 20W power amplifier One XLR (female) input jack Frequency Response: 70 Hz ~ 20 kHz 1" Tweeter and 6 1/2" Woofer U-mount Bracket included Compact and lightweight Weather-proof exterior perfect for outdoor gigs and performances Ideal for domestic and commercial installations such as home theatre, background sound, commercial paging, zone coverage and more

SEp206

SEp 206 Powered 5 1/4" Molded Speaker Built-in 20W power amplifier One XLR (female) input jack Frequency Response: 80 Hz ~ 16 kHz 1" tweeter and 5 1/4" woofer U-mount Bracket included Compact and lightweight Weather-proof exterior perfect for outdoor gigs and performances Ideal for domestic and commercial installations such as home theatre, background sound, commercial paging, zone coverage and more

SE207

SE 207 6-1/2" 2-Way Molded Speaker Power Capacity: 50 Watts Sensitivity: 90 dB SPL @ 1W / 1M Frequency Response: 70 Hz ~ 20 kHz 1" tweeter and 6 1/2" woofer U-mount Bracket included

SE206

SE 206 5-1/4" 2-Way Molded Speaker Power Capacity: 30 watts Sensitivity @ 1 watt / 1 meter: 88dB Frequency response: 80Hz-16kHz 1" soft dome tweeter and 5 1/4" polycarbon Extended bass response Lightweight plastic enclosure Internal threaded inserts U-mount bracket included Optional universal swivel mounting bracket

WH-1S

WH-1S Wireless Headset Microphone System for Safari Portable Audio Systems Compatible with the Safari 2000 and Safari 3000 WH-1 headset microphone included WB-1 beltpack transmitter included WR-1 wireless receiver module included Simple frequency autoscan function for easy setup Region specific frequency mode between 500 and 875MHz Noise reduction circuitry reduces low-frequency rumble Operates over 8 hours on two alkaline AA batteries Available frequency ranges (regi

WL-1S

WL-1S Wireless Lavalier Microphone System for Safari Portable Audio Systems Compatible with the Safari 2000 and Safari 3000 WL-1 lavailier microphone included WB-1 beltpack transmitter included WR-1 wireless receiver module included Simple frequency autoscan function for easy setup Region specific frequency mode between 500 and 875MHz Noise reduction circuitry reduces low-frequency rumble Operates over 8 hours on two alkaline batteries Available frequency ranges (regi

WM-1S

WM-1S Wireless Handheld Microphone System for Safari Portable Audio Systems Compatible with the Safari 2000 and Safari 3000 WM-1 handheld microphone included WR-1 wireless receiver module included Simple frequency autoscan function for easy setup Region specific frequency mode between 500 and 875MHz Noise reduction circuitry reduces low-frequency rumble Operates over 8 hours on two alkaline batteries Available frequency ranges (region dependent): System I: 500 - 525 MHz Syst

Safari 2000

Safari 2000 200 Watt Mobile PA System with 2-Channel Mixer Ultra-durable & lightweight (9kg) all-in-one battery powered sound solution 200 Watt Class D amplifier technology Impact resistant polymer enclosure with internal bracings 1" pure titanium tweeter and 8'' woofer Flat frequency response between 50Hz - 18kHz 2-Channel onboard Mixer: Dual combo jacks (XLR & ¼''), RCA, and mini stereo Advanced wireless microphone system with Auto-Scan technology Add up to two pass

Safari 3000

Safari 3000 320 Watt Mobile PA System with 3-Channel Mixer Fully self-contained all-in-one portable audio system Slick molded speaker cabinet with handle and wheels for easy mobility 320 Watts (peak) of power through high performance class D amplification 2-way output through 10" long-throw woofer matched with a pure-titanium compression driver Two mono 1/4" & XLR combo inputs, plus a stereo input with 1/8" and RCA connectors 2-track RCA outputs for connecting to external devices

PAA6

PAA6 Digital 2-Channel Audio Analyzer with Color Touch LCD Powerful dual channel palm-size audio analyzer 480 x 272 color LCD touch screen Two built-in highly accurate, omni directional condenser mics Useful functions include RTA, LEQ, RT-60, FFT, THD+N, Polarity, Phase, Scope and Meter (dB SPL, dBu, dBV & Volt) Tone generator includes pink noise, white noise, sine wave, sweep, polarity, triangle and square Elegant graphical user interface accessed through touch screen

PAA3

PAA3 Handheld Audio Analyzer with USB Interface Built-in calibrated measurement microphone 1/3 octave real-time analyzer 31-band EQ setting value display (boost/cut) RT60 measurement Phase checker Noise generator with pink noise, 1kHz and polarity test signal, balanced output Memory and average calculation function SPL meter calibration through sound level calibrator Sound Pressure Level Meter from 30 dB~130 dB Line signal measurement display in dBu, dBV, or Volts (AC) SPL meter

PPC9000E

PPC 9000E 10-Outlet Power Conditioner with Light Modules and Surge Protection (European Standards) 10 switched outlets on the rear of the unit Single, unswitched outlet on the front Two swiveling light fixtures with dimmer switch for rack illumination RFI / EMI filtering Circuit Breaker with 10 amp rating Heavy-duty 14-gauge AC power cord Triple-mode Varistor spike and surge protection 20-segment, line Voltage meter reading from 180 to 256 VAC 12 Volts BNC gooseneck lamp jack

PPC8000E

PPC 8000E 10-Outlet Power Conditioner with Light Modules (European Standards) 10 switched outlets on the rear of the unit Single, unswitched outlet on the front Two swiveling light fixtures with dimmer switch for rack illumination RFI / EMI filtering Circuit Breaker with 10 amp rating Heavy-duty 14-gauge AC power cord Triple-mode Varistor spike and surge protection

PPC8000

PPC 8000 8-Outlet Power Conditioner with Light Modules 8 switched outlets on the rear of the unit Single, unswitched outlet on the front Two swiveling light fixtures with dimmer switch for rack illumination RFI / EMI filtering Circuit Breaker with 15 amp rating Heavy-duty 14-gauge AC power cord Triple-mode Varistor spike and surge protection

AM1221X

AM 1221X 12-Mic/Line 4-Stereo 2-Bus Mixing Console with DFX 14 quality mic preamps Mono channels are loaded with 3-band swept-mid EQs, 75Hz (18 dB/octave) low-cut filters and phantom power Two stereo channels with 4-band EQ 4 AUX sends, AUX 1 & 2 with XLR and 1/4" phone output jacks 32-bit digital stereo multi-effect processor with 16 programs plus one main parameter control, tap control and foot switch jacks 2 stereo AUX returns with effect to monitor Insert points on 10 mono ch

AM55

AM 55 1-Mic/Line 2-Stereo Compact Mixer 1 mic/line and 2 stereo channels 2-band EQ on mono input channel 2T RTN & 2T REC for CD or tape recorder Dual 4-segment master level meter Headphones output with volume control Peak LED on mono input channel Balanced master output

Firefly 808 Universal

Firefly 808 Universal Studio Recording Preamp with 192 kHz USB/FireWire Interface FireWire (IEEE 1394) and USB 2.0 audio interface 24-bit resolution, up to 192 kHz sampling rate 18 simultaneous inputs and outputs via FireWire/USB audio interface 8 microphone preamps with trim control and individual phantom power switches 8 analog line inputs including 2 instrument inputs 8 channels of optical ADAT I/O (4 channels via 96k dual SMUX) S/PDIF I/O, AES/EBU I/O, MIDI I/O and word clock I/O

Firefly 302 USB

Firefly 302 USB Portable USB Audio Interface 5 x 6 24-bit/192kHz USB stream I/O 2 x 2 analog operation (RCA) Front-panel microphone input (XLR) with +48V phantom power Two 1/4" TRS and two RCA input connections Headphone output with dedicated level control Low-latency ASIO software direct monitoring Power indicator LED Powered via included DC power adaptor Easy-to-see sig and clip LED indicators for input and output Compatible with Intel-based Macs Compatible with Windows XP, Vis

PHA8800

PHA 8800 8-Channel Headphone Distribution Amplifier Eight totally independent stereo high-power amplifier sections in one rack space Two stereo main inputs for two independent mixes, accessible from all eight channels Eight independent direct inputs provide up to eighth individual stereo mixes Output level control and accurate LED output meter on every channel Mono/stereo switch per channel for more flexibility Direct input connector on each channel for e

PHA4800

PHA 4800 4-Channel Headphone Distribution Amplifier Four independent high-power amplifier sections provide up to four stereo mixes Each input/aux section can be separately set to capture individual demands for “more me mixing” Multi-functional ST/2-CH switch on each channel allows for either stereo playback or double mono operation Ultra-musical high and low EQ per channel Output level control with accurate 4-digit LED output meter on each channel One front and two rear st

i7600

i7600 Dual 30-Band 1/3 Octave Digital Graphic Equalizer with RTA Doubles as dual-channel 30-band real-time spectrum analyzer (RTA) 24-bit A/D and D/A converters with 256/512 times over sampling for high headroom and resolution Internal 32-bit/44.1 KHz processor Provides 12 dB of boost or cut Channel-link function Stores up to 60 programs: 30 factory-set, 30 user-defined Selectable unit of measurement for RTA line signal: dBu or dBV Six view range options for band-level measurement

i7350

i7350 16 Program Digital Effect Processor 16 unique digital effects with their own user adjustable parameter Programs include hall, room, spring, rev vocal, slap delay and multiple reverb variations 32/40-bit digital signal processing plus 24-bit A/D and D/A converters Dedicated parameter control for adjusting each effect's main parameter Auto-bypass when power is off Tap delay button and indicator

i7300

i7300 24-bit High Performance Digital Multi Reverb True stereo performance and variable stereo image parameters 100 factory programs and 100 user programs 24-bit A/D and D/A converters with 256/512 times over sampling for high headroom and resolution Internal 32-bit/44.1 kHz processor MIDI capability allowing real-time program selection and dump Dual 10-segment LED level meters Balanced XLR and 1/4" TRS inputs and outputs Operating levels of +4 dBu and -10 dBV independently selectab

i7100

i7100 Digital Feedback Eliminator 24 fully programmable parametric filters spread over two channels that can be set manually Single-Shot Mode automatically seeks and destroys feedback, locking the filters until manually reset Auto Mode constantly monitors the mix and automatically resets the filters Manual Mode provides each channel with up to 12 fully parametric filters, which include frequency, bandwidth, and gain Single-Shot, Auto, and Parametric filters can be assigned to each indi

DFX2000

DFX 2000 Digital Effect Processor 101 amazing algorithms in true stereo with 40-bit DSP engine High-Definition reverb algorithms for natural-sounding reverb and delay 49 effect combinations with selectable serial/parallel configuration Up to 7 adjustable parameters, plus High and Low Equalization High-resolution 24-bit A/D and D/A converters 100 factory presets plus 100 user-definable memory locations Extensive MIDI implementation LED level meters

PCL4700

PCL 4700 4-Channel Dynamic Processor with Expander, Gate, Compressor and Limiter Program-adaptive compression circuitry combines advantages of both hard-knee and soft-knee operation Quality expander/gate circuitry for inaudible noise suppression Superior peak limiting circuitry combines clip and limiter programs for reliable protection against signal peaks Separate LED meters for input/output levels and gain reduction Selectable operating level (+4 dBu / -10 dBV)

PCX4000

PCX 4000 High Precision Stereo 2/3-Way Mono 4-Way Crossover World-class performance 24dB per octave Linkwitz-Riley filters Absolutely flat summed amplitude response, zero phase difference Switchable 25Hz subsonic filter on each input for low frequency driver protection Individual limiter on each output for optimal loudspeaker protection “Low Sum” function provides low-level mono output for subwoofer operation Adjustable time delay for phase alignmen

PCX3000

PCX 3000 High Precision Stereo 2-Way Mono 3-Way Crossover World-class performance 24dB per octave Linkwitz-Riley filters Switchable 25Hz subsonic filter on each input for low frequency driver protection Separate subwoofer section with independent frequency control Absolutely flat summed amplitude response, zero phase difference Individual output level controls for all bands Individual output mutes for easy band adjustment Individual phase reverse switches for instant phase correction

PCR2213 Plus

PCR 2213 Plus Active Crossover Stereo 2-way or mono 3-way operation 24 dB/octave Linkwitz-Riley filters with zero phase error at crossover frequencies Perfect flat summed amplitude response at all crossover frequencies Independent limiters on all outputs with pre-defined time parameters Latching mute push buttons on all outputs, vital during setting up and troubleshooting LED indication on all important switching functions for easy status identification Crossover frequencies continuo

GEQ1502F

GEQ 1502F 15-band Stereo Graphic Equalizer Low cut filter to remove unwanted low frequency sounds Extremely accurate 4-segment LED level meter and input gain control Balanced XLR and 1/4" TRS inputs and outputs Mono subwoofer output with adjustable crossover frequency Shielded toroidal power transformer for ultra low-noise Sturdy all-metal chassis

GEQ3102F

GEQ 3102F 31-band Stereo Graphic Equalizer Sweepable high and low cut filters on each channel to remove unwanted frequencies Ultra low-noise audio operational amplifiers offer outstanding sound performance Relay-controlled hard-bypass with an auto-bypass function during power failure Dedicated subwoofer output with user-adjustable low-pass filter Feedback detection circuitry for indicating critical frequencies Balanced inputs and outputs with 1/4” TRS and XLR c

Helix Board 24 Universal

Helix Board 24 Universal 16-Mic/Line 4-Group Mixer with USB & FireWire Interface 96kHz USB 2.0/ FireWire interface for streaming 18 independent channels of audio to computer with near-zero latency Pre/post setting for swapping input channels sent to the computer from pre-low cut, -EQ to post-EQ, post-fader 2 channels of monitoring from computer via USB 2.0 / FireWire interface, can be assigned to control room monitors, main mix and AUX 1 DFX, our 32/40-bit high definition algorithm

Helix Board 18 Universal

Helix Board 18 Universal 6-Mic/Line 4-Stereo 2-Group Mixer with USB 2.0/FireWire Interface 18-input small-format analog mixer with extremely low noise circuitry 96kHz USB 2.0/FireWire interface for streaming 16 independent channels of audio to computer with near-zero latency Pre/post setting for swapping USB 2.0/FireWire input channels sent to computer from pre-low cut, -EQ to post-EQ, post-fader 2 channels of monitoring from computer via USB 2.0 / FireWire interface, can be assigned to

Helix Board 12 Universal

Helix Board 12 Universal 4-Mic/Line 2-Stereo Mixer FireWire & USB 2.0 Interfaces 12-input small-format analog mixer with extremely low noise circuitry Onboard USB 2.0 and FireWire interfaces for sending up to 10 independent channels of audio to computer with near-zero latency Sampling rate selectable up to 96 kHz in 24-bit resolution A pre/post switch is available on each channel for swapping channel sends to computer from pre-low cut, -EQ to post-EQ, post-fader signals DFX, our 32

Submit

Summit Digital Mixer 16-Input 8-Bus Digital Mixing Console with Color Touch Screen 16 balanced microphone and line input channels 8 balanced 1/4” multi-purpose outputs Stereo balanced XLR main and control room outputs 8 auxiliary and 8 subgroup mixes 17 ultra-smooth automated faders encompassing a 3-layer design -20 dB PAD button on all inputs for attenuating hot inputs Insert points on all input channels RCA 2 track input and output Dedicated headphone output with ind

IS 16

IS16 16-Input 8-Bus Digital Mixing Console with Color Touch Screen and VGA output 16 mono mic/line with insert points and grouped phantom power Internal digital sampling rate up to 96 kHz in 24-bit resolution Compact design achieved through 16 faders encompassing three layers (Channel, AUX/Group, Multi) 17 ultra-smooth 100 mm motorized faders arranged in a familiar analog mixer arrangement Intuitive GUI interface accessed through a full color touch-screen 31-band GEQ av

MX 300 USBW

MX 300 USBW 3-Channel DJ Mixer with USB Playback and Bluetooth Connectivity Channels 1 to 3 on the front panel switchable between phono, mic or line Incorporate MP3 and WAV files into the mix via onboard USB playback function Stream audio directly from Bluetooth-enabled devices such as cellphones, tablets and notebooks Bluetooth function of the MX300USBW’s is also compatible with Phonic BTM-10 and BTM-20 Bluetooth microphone kits Mic 1 microphone-input via unbalanced

MX 300

MX 300 3-Channel DJ Mixer Three phono, three Line and three Mic inputs Talkover switch Push button cueing with cue/program pan control 3-band equalizer (-30dB to +15dB) and gain control on each program channel Master and DJ booth output level control Master output with balance control LED output display for master and cue level 12V BNC gooseneck lamp jack Built-in power supply - no wall wart! Ultra durable crossfader (replaceable)

Sonic Station 32

Sonic Station 32 28-Mic/Line 2-Stereo 4-Bus Mixing Console with Dual DFX 30 Mic preamps in total Dual digital effect engines, each with 16 programs plus one main parameter control, tap delay and foot switch jacks 28 direct outputs with pre-fader switch for multi-track recording Rec out with independent trim control Talkback Mic built-in Four stereo AUX returns, each with switches to route signal to AUX 1-4 (effect to monitor) Groups 1-4 and AUX 1-4 can be swapped for monitor console

Sonic Station 22

Sonic Station 22 18-Mic/Line 2-Stereo 4-Bus Mixing Console with Dual DFX 20 mic preamps in total Dual effect engines with 16 EFX plus one main parameter control, Effect 2 with tap delay and foot switch jacks Direct out with pre-EQ switch for multi-track recording Rec out with independent trim control Talkback mic built-in 4 stereo aux return, each with to aux 1~4 (effect to monitor) Group 1-4 and Aux 1-4, Main fader and control room volume control can be swapped for monitor console u

Sonic Station 16

Sonic Station 16 16-Mic/Line 4-Group Mixer with Dual-Position I/O Pod & DFX 16 Mic/Line channels with inserts 3-band EQ with swept mid-range 75 Hz low-cut filter on each channel AUX 1 & 2 with Pre/Post switch Six AUX send mixing bus Four stereo AUX returns, three with effect to monitor Mini Stereo I/O and stereo RCA I/O each with trim control 32/40-bit digital multi-effect processor with 16 programs plus one main parameter control, tap control and foot switch jack +48V

AM3242FX

AM 3242FX 32-Input 4-Bus Studio/Live Mixer with Digital EFX and GEQ Inputs: 24 mic/line, 4 Stereo 40-bit digital stereo multi-effect processor with 100 programs 9-band stereo graphic EQ 2 stereo input channels with 4-band EQ 2 additional stereo input channels with level and prefader AUX facilities 3-band EQ plus switchable low-cut filter on all mono channels Inserts on each mono channel and main mix 4 subgroups and additional mono output 4 AUX sends per channel Clip indication and

AM2442FX

AM 2442FX 24-Input 4-Bus Studio/Live Mixer with Digital EFX and GEQ Inputs: 16 mic/line, 4 Stereo 40-bit digital stereo multi-effect processor with 100 programs 9-band stereo graphic EQ 2 stereo input channels with 4-band EQ 2 additional stereo input channels with level and prefader AUX facilities 3-band EQ plus switchable low-cut filter on all mono channels Inserts on each mono channel and main mix 4 subgroups and additional mono output 4 AUX sends per channel Clip indication and

AM1621X

AM 1621X 16-Mic/Line 4-Stereo Input Mixing Console with DFX 18 quality mic preamps Mono channels are loaded with 3-band swept-mid EQs, 75Hz (18 dB/octave) low-cut filters and phantom power Insert points on twelve mono channels Two stereo channels with 4-band EQ 4 AUX sends, AUX 1 & 2 with XLR and 1/4" phone output jacks 32-bit digital stereo multi-effect processor with 16 programs plus one main parameter control, tap control and foot switch jack 2 stereo AUX returns with effect t

AM125FX

AM 125FX 4 Mic/Line 4 Stereo Compact Mixer with EFX 4 mic/line channels and 4 stereo channels EFX send on every channel 75Hz low-cut filter on mono channel 3-band EQ on each channel Multi-delay EFX processor with parameter control for easy and flexible applications +48V phantom power on mic channels Control room/Phones source matrix for maximum monitor flexibility EFX/AUX send cue for monitoring individual channel

AM125

AM 125 4-Mic/Line 4-Stereo Compact Mixer 4 mic/line channels and 4 stereo channels AUX send on every channel 75Hz low-cut filter on mono channel 3-band EQ on each channel +48V phantom power on mic channels Control room/Phones source matrix for maximum monitor flexibility EFX/AUX send cue for monitoring individual channel Balanced TRS output

AM105FX

AM 105FX 2 Mic/Line 4 Stereo Compact Mixer with EFX 2 balanced Mic/Line inputs with 3-band EQ and low cut 4 stereo inputs with +4/-10 select button Post-fader AUX send on every input Global +48V Phantom Power CTRL RM and headphones outputs Peak indicators on each mono input channel Convenient RCA stereo I/O Multi-delay EFX processor with parameter control for easy and flexible applications Balanced master output

AM105

AM 105 2-Mic/Line 4-Stereo Compact Mixer 2 balanced mic/line inputs with 3-band EQ and low cut 4 stereo inputs with +4/-10 select button Post-fader AUX send on every input Global +48V Phantom Power CTRL RM and headphones outputs Peak indicators on each mono input channel Convenient RCA stereo I/O Stereo AUX/EFX send cue for better monitoring individual channel Balanced master output

AM85

AM 85 2-Mic/Line 2-Stereo Compact Mixer 2 mic/line inputs with 3-band EQ 2 stereo inputs Stereo AUX return Post-fader EFX send on every input Global +48V phantom power Peak and VU Metering Peak indicators on each mono input channel 2T RTN assignable individually to Main or Control Room Stereo EFX send cue for ease of monitoring individual channel Balanced master output

AM844D USB

AM 844D USB 8-Mic/Line 4-Stereo 4-Group Mixer with DFX & USB Interface 8 Mic/Line mono channels with direct outs, 3-band EQ and compressor 4 stereo channels (two with Mic input) 10 Mic preamps total Stereo USB interface for PC or Mac recording Direct Outputs for Multitrack recording 3 band EQ with swept mid range plus low cut on each mono channel 18dB/oct, 75Hz Low Cut Filter on each mic channels 4 AUX Sends, AUX 1 & 2 with Pre/Post selector 32/40-bit digital stereo multi-e

AM642D USB

AM 642D USB 6-Mic/Line 4-Stereo 2-Group Mixer with GEQ, DFX & USB Interface 6 Mic/Line channels with inserts, phantom power and compressor Stereo USB interface compatible with PC and Mac computers 4 stereo channels with 4-band EQ 3-band EQ with swept mid-range plus low cut on each mono channel 3 AUX sends, one with Pre/Post switch 32/40-bit digital stereo multi-effect processor with 100+ tap delay plus foot switch Stereo 9-band graphic EQ, assignable to main mix or aux 1 send 2

AM442D USB

AM 442D USB 4-Mic/Line 4-Stereo 2 Group Mixer with DFX & USB Interface 4 Mic/Line channels with inserts and phantom power Stereo USB audio interface for PC and Mac computers 4 stereo channels with 4-band EQ 3-band EQ with swept mid-range plus low cut on each mono channel 2 aux sends, aux 1 with Pre/Post switch 32/40-bit digital effect processor with 100 programs + tap delay 2 true subgroups with Main L and R routing switches 2 stereo aux returns with effect to monitor level cont

AM440W

AM 440W 4-Mic/Line 4-Stereo Compact Mixer with 2.4GHz Wireless Connectivity 2.4 GHz wireless audio playback Four mono microphone/line input channels Four 1/4” stereo line input channels Accepts balanced and unbalanced input connections Connect up to 2 wireless microphones or any bluetooth audio device Control room/Phones source matrix for monitor flexibility EFX/AUX send cue for monitoring individual channel 75Hz low-cut filter on mono channel for removing rumble Versatile 10

AM440DP

AM 440DP 4-Mic/Line 4-Stereo Input Compact Mixer with DFX and USB Playback 4 mono mic/line channels 4 stereo channels USB playback of MP3 and WAV files 32/40-bit digital stereo multi-effect processor with 100 programs + tap delay AUX sends on each channel 75Hz low-cut filter on mono channel 3-band EQ on each mono channel +48V phantom power on mic channels Control Room/Phones source matrix for maximum monitor flexibility EFX/AUX send cue for monitoring individual channel Balanced

AM440D

AM 440D 4-Mic/Line 4-Stereo Input Compact Mixer with DFX 4 mono mic/line channels 4 stereo channels 32/40-bit digital stereo multi-effect processor with 100 programs + tap delay AUX sends on each channel 75Hz low-cut filter on mono channel 3-band EQ on each channel +48V phantom power on mic channels Control Room/Phones source matrix for maximum monitor flexibility EFX/AUX send cue for monitoring individual channel Balanced main outputs with 60mm fader

AM440

AM 440 4-Mic/Line 4-Stereo Input Compact Mixer 4 mono mic/line channels 4 stereo channels AUX sends on each channel 75Hz low-cut filter on mono channel 3-band EQ on each channel +48V phantom power on mic channels Control room/Phones source matrix for maximum monitor flexibility EFX/AUX send cue for monitoring individual channel Balanced main outputs with 60mm fader

AM240D

AM 240D 2-Mic/Line 4-Stereo Input Compact Mixer with DFX Two balanced Mic/Line inputs with 3-band EQ and low cut Four stereo inputs with +4/-10 select button Post-fader AUX send on every input 32/40-bit DSP with 100 EFX + creative tap-delay and test-tones Separated EFX route control assignable to main or monitor Global +48V Phantom Power Peak indicators on each mono input channel Convenient RCA stereo I/O for MD or MP3 players Stereo EFX send cue for better monitoring individual ch

AM220 P

AM 220 P 2-Mic/Line 2-Stereo Input Compact Mixer with USB Player Two balanced Mic/Line inputs with 3-band EQ Two stereo inputs with 3-band EQ One stereo AUX return USB playback of MP3 and WAV files Post-fader EFX send on every input Global +48V phantom power Peak and VU metering Peak indicators on each mono input channel 2T RTN assignable individually to Main or Control Room Stereo EFX send control on each channel Balanced master output with 60mm fader control

AM220

AM 220 2-Mic/Line 2-Stereo Input Compact Mixer Two balanced Mic/Line inputs with 3-band EQ Two stereo inputs with 3-band EQ One stereo AUX return Post-fader EFX send on every input Global +48V phantom power Peak and VU Metering Peak indicators on each mono input channel 2T RTN assignable individually to Main or Control room Stereo EFX send cue for ease of monitoring individual channel Balanced master output with 60mm fader control

AM120 MKIII

AM 120 MKIII 1-Mic/Line 2-Stereo Input Compact Mixer 1 mic/line and 2 stereo channels 2-Band EQ on mono input channel RCA 2T RTN & 2T REC for CD or tape recorder 2T RTN offers additional 3.5mm ministereo jack Dual 4-segment master level meter Headphones output with volume control Peak LED on mono input channel Balanced master output

iAMP 1620

iAMP 1620 1600 Watt Digital Amplifier 2 x 800 Watts at 2 ohms High resolution class D topology for low weight Exceptionally flat frequency response between 10 Hz – 50 kHz Input achieved through combo jacks accepting 1/4" and XLR connectors Professional Speakon output connectors User selectable high pass and subwoofer filter Variable speed fans change air flow when necessary

XP 5000

XP 5000 5000 Watt Power Amplifier 2500W + 2500W @ 2 ohm; 5000W @ 4 ohm bridged Dual mono, high current power supply for increased reliability and performance High-current toroidal transformers for greater two-ohm power and low noise Independent user-defeatable clip limiters reduce distortion Selectable high pass filters (30 Hz or 50 Hz) protect speakers and increase headroom Balanced 1/4" (6.3 mm) TRS, XLR, and barrier strip inputs for maximum flexibility Binding post and Speakon-typ

XP 3000

XP 3000 2800 Watt Power Amplifier Advanced powerful performance 3rd generation circuitry design Output power per channel: 1100W @ 4 ohms, 1400W @ 2 ohms Front mounted two low pass filters and two gain controls High continuous current output from robust toroidal transformer Switchable input peak limiter and selectable high pass filter (30Hz, 50Hz) to reduce distortion and protect speakers Bridge mono and parallel mode LEDs Fast Recovery design for lower distortion if clipping occurs

XP 2000

XP 2000 1920 Watt Power Amplifier Output power per channel: 660W @ 4 ohms, 960W @ 2 ohms High continuous current output from robust toroidal transformer Switchable input peak limiter and selectable high pass filter (30Hz, 50Hz) to reduce distortion and protect speakers Front mounted detented gain controls for easy access Bridge mono and parallel mode LEDs Fast Recovery design for lower distortion if clipping occurs Very rugged housing Active balanced inputs for low noise Signal lev

XP 1000

XP 1000 1120 Watt Power Amplifier Output power per channel: 400W @ 4 ohm, 560W @ 2 ohm High continuous current output from robust toroidal transformer Switchable input peak limiter and selectable high pass filter (30Hz, 50Hz) to reduce distortion and protect speakers Front mounted detented gain controls for easy access Bridge mono and parallel mode LEDs Fast Recovery design for lower distortion if clipping occurs Very rugged housing Active balanced inputs for low noise Signal level

MAX 3500

MAX 3500 2400 Watt Power Amplifier Output power: 1200W @ 4 ohms stereo, 800W @ 8 ohms stereo (continuous average) High-current toroidal transformers for greater power and low noise Balanced XLR input jacks Binding post and speakon-type outputs Front mounted gain controls for easy access Signal and Peak LED indicators to monitor performance Short circuit, thermal, subsonic, RF protection, output DC offset Variable speed cooling fan Power on/off muting

MAX 2500 Plus

MAX 2500 Plus 1500 Watt Power Amplifier Output power: 750W @ 4 ohms stereo, 500W @ 8 ohms stereo High-current toroidal transformers for greater power and low noise Balanced 1/4" TRS and XLR inputs for maximum flexibility Grounding / Floating switch to avoid grounding loop Binding post and Speakon-type outputs Front mounted gain controls for easy access Signal and Peak LED indicators to monitor performance Short circuit, thermal, subsonic, RF protection, output DC offset Power on/of

MAX 1500 Plus

MAX 1500 Plus 900 Watt Power Amplifier Output power per channel: 450W @ 4 ohms, 280W @ 8 ohms High-current toroidal transformers for greater power and low noise Balanced 1/4" TRS and XLR inputs for maximum flexibility Grounding / Floating switch to avoid grounding loop Binding post and Speakon-type outputs Front mounted gain controls for easy access Signal and Peak LED indicators to monitor performance Short circuit, thermal, subsonic, RF protection, output DC offset Power on/off m

MAX 860 Plus

MAX 860 Plus 600 Watt Power Amplifier Output power: 300W @ 4 ohms stereo, 200W @ 8 ohms stereo High-current toroidal transformers for greater power and low noise Balanced 1/4" TRS and XLR inputs for maximum flexibility Grounding / Floating switch to avoid grounding loop Binding post and Speakon-type outputs Front mounted gain controls for easy access Signal and Peak LED indicators to monitor performance Short circuit, thermal, subsonic, RF protection, output DC offset Power on/off

MAX 500

MAX 500 240 Watt Power Amplifier Output power: 120W @ 4 ohms stereo, 90W @ 8 ohms stereo Studio quality performance with very low noise and wide dynamic range Class H high efficiency circuitry design Ultra-low total harmonic distortion High damping factor provides exceptional loudspeaker motion control Detented level controls for precise repeatability Signal and CLIP indicators to monitor performance Protect indicator Short circuit, thermal, subsonic, RF protection, output DC offse

MAX 250

MAX 250 160 Watt Power Amplifier Output power per channel: 80W @ 4 ohms, 60W @ 8 ohms Studio quality performance with very low noise and wide dynamic range Class H high efficiency circuitry design Ultra-low total harmonic distortion High damping factor provides exceptional loudspeaker motion control Detented level controls for precise repeatability Signal and CLIP indicators to monitor performance Short circuit, thermal, subsonic, RF protection, output DC offset, over-heat protectio

Powerpod K16 Plus

Powerpod K16 Plus 1000W 12 Mic/Line 2 Stereo GEQ Dual DFX Powered Mixer 2 x 500W / 4 ohms stereo power amplifier (bridgeable and patchable) Twelve mic/line input channels with 3-band swept mid-range EQ and inserts Two stereo line input channels with 3-band EQ and RCA connectors Two stereo returns, each can be routed to AUX 1 & 2 sends (effect to monitor) Stereo 7-band graphic EQ assignable to main or aux 1 Dual 32/40-bit digital effect processors, each with 100 effects plus tap de

Powerpod K12 Plus

Powerpod K12 Plus 1000W 12 Input Powered Mixer with GEQ and DFX 2 x 500W / 4 ohms stereo power amplifier (bridgeable and patchable) Eight mic/line input channels with 3-band swept mid-range EQ and inserts Two stereo line input channels with 3-band EQ Two stereo returns, each can be routed to AUX 1 & 2 sends (effect to monitor) Stereo 7-band graphic EQ assignable to main or aux 1 Onboard GEQ features feedback detection on all bands Two 32-bit digital effect processors, each with 1

Powerpod 1860 Plus

Powerpod 1860 Plus 800W 12-Channel Powered Mixer with Graphic EQ & DFX 2 x 400W / 4 ohms stereo power amplifier (bridgeable and patchable) Eight balanced mic/line input channels with inserts Two stereo line input channels with additional stereo RCA jacks 3-band EQ on all input channels Stereo 7-band graphic EQ assignable to main or aux 1 32-bit digital effect processor with 100 preset programs plus tap delay effects, test tones and foot switch jack Four AUX sends (AUX 1/2 a

Powerpod 1082 R

Powerpod 1082 R 800W 10-Channel Powered Mixer with DFX and USB Recorder 2 x 400W / 4 ohms stereo power amplifier for Main L/R or Mono/Monitor USB recorder and playback device for capturing all performances with ease DFX, our 32/40-bit digital multi-effect processor with 16 programs plus parameter control 9 balanced Mic inputs and 12 Line inputs Two super Hi-Z inputs specially optimized for direct instrument inputs 3-band EQ on channels 1 through 9 Dual multi-band graphic equalizers w

Powerpod 1082 Plus

Powerpod 1082 Plus 800W 10-Channel Powered Mixer with DFX 2 x 400W / 4 ohms stereo power amplifier for Main L/R or Mono/Monitor DFX, our 32/40-bit digital multi-effect processor with 16 programs plus parameter control 9 balanced Mic inputs and 12 Line inputs Two super Hi-Z inputs specially optimized for direct instrument inputs 3-band EQ on channels 1 through 9 Dual multi-band graphic equalizers with in/out switches for Main L/R and Monitor or Main L/R Rumble filter for Mic inputs P

Powerpod 1062 R

Powerpod 1062 R 600W 10-Channel Powered Mixer with DFX & USB Recorder 2 x 300W / 4 ohms stereo power amplifier for Main L/R or Mono/Monitor USB recorder and playback device for capturing all performances with ease DFX, our 32/40-bit digital multi-effect processor with 16 programs plus parameter control 9 balanced Mic inputs 12 Line inputs Two super Hi-Z inputs optimized for direct instrument inputs 3-band channel EQ Dual 8-band graphic equalizers with in/out switches for Main L/

Powerpod 1062 Plus

Powerpod 1062 Plus 600W 10-Channel Powered Mixer with DFX 2 x 300W / 4 ohms stereo power amplifier for Main L/R or Mono/Monitor DFX, our 32/40-bit digital multi-effect processor with 16 programs plus parameter control 9 balanced Mic and 12 Line inputs over 10 channels Two super Hi-Z inputs optimized for direct instrument inputs 3-band channel EQ Dual 8-band graphic equalizers with in/out switches for Main L/R and Monitor or Main L/R Rumble filter for Mic inputs Pad control on c

Powerpod 820

Powerpod 820 200W 8-Channel Powered Mixer with DFX Built-in 200W stereo power amplifier DFX, our 32-bit digital multi-effect processor with 16 programs plus one main parameter control Four balanced Mic/Line channels with inserts Two stereo Line channels 3-band EQ on each channel Global +48V phantom power for mic inputs 75 Hz low-cut filter on mono channels Extra ALT 3-4 stereo bus Two AUX sends per channel Two stereo AUX returns AUX cue allows channels to be independently monitor

Powerpod 780 Plus

Powerpod 780 Plus 600W 7-Channel Powered Mixer with DFX 300W + 300W / 4 ohm dual power amplifier for Main or Main/Monitor 32/40-bit digital multi-effect processor with 16 programs plus parameter control and foot switch jack Seven balanced Mic inputs 10 Line inputs Two super Hi-Z inputs optimized for direct instrument input 3-band channel EQ Dual 7-band graphic equalizers with In/Out switches for Main L/R or Main/Monitor Rumble filters for Mic inputs Pad control on channels 1-4 One

Powerpod 740 FR

Powerpod 740 FR 440W 7-Channel Powered Mixer with DFX and USB Recorder 2 x 220W / 4 ohm dual channel power amplifier for Main L/R or Main/Monitor (Bridge mono, 440W / 8 ohm) USB recorder and playback device for capturing all performances with ease Built-in one-touch feedback elimination circuitry for destroying feedback in live performances 32/40-bit digital multi-effect processor with 16 programs with parameter control Seven balanced Mic inputs and ten Line inputs Two

Powerpod 740 R

Powerpod 740 R 440W 7-Channel Powered Mixer with DFX and USB Recorder 2 x 220W / 4 ohm dual channel power amplifier for Main L/R or Main/Monitor (Bridge mono, 440W / 8 ohm) USB recorder and playback device for capturing all performances with ease 32/40-bit digital multi-effect processor with 16 programs with parameter control Seven balanced Mic inputs and ten Line inputs Two super Hi-Z inputs specially optimized for direct instrument input 3-band channel EQ Dual 7-band grap

Powerpod 740 Plus

Powerpod 740 Plus 440W 7-Channel Powered Mixer with DFX 2 x 220W / 4 ohm dual power amplifiers for Main or Main/Monitor (Bridge mono, 440W / 8 ohm) 32/40-bit digital multi-effect processor with 16 programs plus parameter control Seven balanced Mic inputs 10 Line inputs Two super Hi-Z inputs optimized for direct instrument input 3-band channel EQ Dual 7-band graphic equalizers with In/Out switches for Main L/R or Main/Monitor Rumble filters for Mic inputs Pad control on channels 1-4

Powerpod 620 R

Powerpod 620 R 200W 6-Channel Powered Mixer with USB Recorder + Player 2 x 100W / 4 ohms dual power amplifiers for Main or Main/Monitor (Bridge mono, 200W / 8 ohms) USB recorder and playback device for capturing all performances with ease 32/40-bit digital multi-effect processor with 16 programs plus parameter control and footswitch jack Six balanced Mic inputs and eight Line inputs Two Super Hi-Z inputs optimized for direct instrument input 2-band EQ on each input channel 7-band mas

Powerpod 620 Plus

Powerpod 620 Plus 200W 6-Channel Powered Mixer with DFX Built-in 2 x 100W / 4 ohms dual power amplifier for Main or Main/Monitor (Bridge mono, 200W / 8 ohms) 32/40-bit digital multi-effect processor with 16 programs plus parameter control and footswitch jack Six balanced Mic inputs and eight Line inputs (4 mono, 2 stereo channels) Two Super Hi-Z inputs optimized for direct instrument input 2-band EQ on each input channel 7-band master graphic EQ Pad control on channels 1 to 4 AUX in

Powerpod 410 R

Powerpod 410 R 100W 4-Channel Powered Mixer with Variable Delay Built-in 100W output power 4 Mic/Line input channels USB recorder and playback device for capturing all performances with ease Variable digital delay with time and repeat control Main insert point via 1/4" TRS jack Super musical 2-band EQ on mono channels

Powerpod 410

Powerpod 410 100W 4-Channel Powered Mixer with Variable Delay Built-in 100W output power 4 Mic/Line input channels Variable digital delay with time and repeat control Amplifier power assignable with additional 1/4" send and return jack Stereo RCA 2T Return and Record I/O Super musical 2-band EQ on mono channels

LBB4446/00

LBB4446/00 Set of Supervision Board Brackets (10 pcs)

LBB4443/00

LBB4443/00 End of Line Supervision Board Features Loudspeaker line monitoring without additional cabling Open-circuit fault detection Compatible with 100 V and 70 V loudspeaker lines Powering of the supervision-board from the power amplifier Communication is not affected by the audio signals on the line

LBB4442/00

LBB4442/00 Line Supervision Set Features Loudspeaker line monitoring without additional cabling Supervision-master mounting in the power amplifier Supervision-slave mounting at the end of the loudspeaker line Open-circuit fault detection Compatible with 100 V and 70 V loudspeaker lines

LBB4441/00

LBB4441/00 Loudspeaker Supervision Board Features Loudspeaker and loudspeaker line monitoring without additional cabling Open-circuit fault detection Compatible with 100 V and 70 V loudspeaker lines Powering of the supervision-board from the power amplifier Communication is not affected by the audio signals on the loudspeaker line

LBB4440/00

LBB4440/00 Supervision Control Board Features Multiple speaker and line monitoring without additional cabling Mounted inside the power amplifier Controls up to 80 speaker and line supervision boards Open-circuit fault detectionSupervision Control Board Compatible with 100 V and 70 V loudspeaker lines

PRS-NSP

PRS-NSP Network Splitter Features Two current-limited network tap-offs Supports redundant network connection on main loop Can feed power from an external supply to the network Indicators for power and fault status

PRS-FINS

PRS-FINS Fiber Interface Single-Mode, full network address, single‑mode Features Redundant network connection Indicators for power and fault status Two supervised control inputs (not PRS‑FINNA) Can use a local power supply

PRS-FINNA

PRS-FINNA Fiber Interface Non-Addressable, no network address, multi‑mode Features Redundant network connection Indicators for power and fault status Two supervised control inputs (not PRS‑FINNA) Can use a local power supply

PRS-FIN

PRS-FIN Fiber Interface, full network address, multi‑mode Features Redundant network connection Indicators for power and fault status Two supervised control inputs (not PRS‑FINNA) Can use a local power supply

PRS-CSI

PRS-CSI Call Station Interface

LBB4419/00

LBB4419/00 Cable Couplers (10 pcs)

LBB4418/50

LBB4418/50 Spare Cutting System (2 pcs)

LBB4418/00

LBB4418/00 Cable Connector Tool Kit

LBB4417/00

LBB4417/00 Set Network Connectors (20 pcs)

LBB4416/50

LBB4416/50 Network Cable Assembly 50m, with the network connectors fitted

LBB4416/20

LBB4416/20 Network Cable Assembly 20m, with the network connectors fitted

LBB4416/10

LBB4416/10 Network Cable Assembly 10m, with the network connectors fitted

LBB4416/05

LBB4416/05 Network Cable Assembly 5m, with the network connectors fitted

LBB4416/02

LBB4416/02 Network Cable Assembly 2m, with the network connectors fitted

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